兒子與情人
劇情描述年輕礦工保羅個(gè)性文靜而敏感，其母葛楚因與時(shí)常酗酒的丈夫感情不睦，竟轉(zhuǎn)向兒子尋求愛的寄托，情感超過了正常的母愛。這種情形影響了保羅跟女朋友米莉安的交往，米莉安因家庭嚴(yán)格的宗教觀念影響，使她只想追求精神戀愛而排斥肉體的熱情。保羅為了擺脫母親的控制與女友的感情打擊，竟一頭投入與夫分居的女工克萊拉的懷抱，但旋即發(fā)現(xiàn)兩人在精神上缺乏溝通。最后，保羅拋棄了這座單調(diào)乏味的煤礦小鎮(zhèn)，到異鄉(xiāng)另闖天下
劇情簡(jiǎn)介
劇情描述年輕礦工保羅個(gè)性文靜而敏感，其母葛楚因與時(shí)常酗酒的丈夫感情不睦，竟轉(zhuǎn)向兒子尋求愛的寄托，情感超過了正常的母愛。這種情形影響了保羅跟女朋友米莉安的交往，米莉安因家庭嚴(yán)格的宗教觀念影響，使她只想追求精神戀愛而排斥肉體的熱情。保羅為了擺脫母親的控制與女友的感情打擊，竟一頭投入與夫分居的女工克萊拉的懷抱，但旋即發(fā)現(xiàn)兩人在精神上缺乏溝通。最后，保羅拋棄了這座單調(diào)乏味的煤礦小鎮(zhèn)，到異鄉(xiāng)另闖天下
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副總統(tǒng)
克里斯蒂安·貝爾,艾米·亞當(dāng)斯,史蒂夫·卡瑞爾,山姆·洛克威爾,娜奧米·沃茨,艾麗森·皮爾,埃迪·馬森,賈斯汀·柯克,麗莎蓋伊·漢密爾頓,杰西·普萊蒙,比爾·坎普,唐·麥克馬納斯,莉莉·拉貝,謝伊·惠格姆,斯蒂芬·阿德利·葛爾蓋,泰勒·派瑞,杰夫·博斯利,吉利安·阿美娜特,馬修·雅各布斯曾拍《大空頭》（The Big Short）聚焦美國(guó)次貸危機(jī)的導(dǎo)演亞當(dāng)·邁凱（Adam McKay）日前與派拉蒙簽約，將導(dǎo)演一部講述美國(guó)前副總統(tǒng)迪克·切尼（Dick Cheney）故事的傳記片。而布拉德·皮特的“B計(jì)劃”制片公司也將繼《點(diǎn)球成金》、《大空頭》后再次與邁凱合作，制作這部電影。迪克·切尼號(hào)稱是美國(guó)歷史上最有權(quán)勢(shì)的副總統(tǒng)，他也是現(xiàn)任美國(guó)副總統(tǒng)彭斯（Mike Pence）的效仿對(duì)象。布什當(dāng)政八年時(shí)間里，表面上切尼是美國(guó)的二號(hào)人物，但實(shí)際上小布什總統(tǒng)（George W. Bush）的很多決定，包括阿富汗戰(zhàn)爭(zhēng)、入侵伊拉克等都是由他定奪的。切尼本人是一個(gè)充滿爭(zhēng)議的矛盾體。他一直都是保守黨派，曾為尼克松、福特、老布什政府做過幕僚，后進(jìn)入哈利伯頓公司當(dāng)了幾年CEO，然后和小布什一起入主白宮；但他對(duì)于同性戀婚姻卻持支持態(tài)度，因?yàn)樗呐畠菏且幻詰佟４送?，切尼五次拖延不愿去越?zhàn)戰(zhàn)場(chǎng)，卻是個(gè)不折不扣的主戰(zhàn)鷹派。亞當(dāng)·邁凱說：“我一直覺得切尼是個(gè)有意思的人物，很想搞清楚究竟是什么在驅(qū)動(dòng)他、他到底信仰什么。所以我們就做了深挖調(diào)查，結(jié)果令人震驚，切尼堪稱是美國(guó)現(xiàn)代史上最有權(quán)力的政治人物，他在很大程度上塑造了美國(guó)現(xiàn)在的國(guó)際地位，而他為了攫取權(quán)力所采取的方式也令人瞠目結(jié)舌?！眮啴?dāng)·邁凱希望能在2017年春拍攝本片，并在年底上映。目前他正在物色合適的演員人選。亞當(dāng)·邁凱拍攝《切尼傳》，意味著他之前接手的《壞血》（Bad Blood）項(xiàng)目要往后推遲了。
三天
樸新陽(yáng),李民基,李來樸信陽(yáng)飾演父親車勝道（音譯），李民基（李暋起）飾演潘神父（姓為音譯）。 該片講述在為女兒舉辦葬禮的三天時(shí)間中，與寄生在死去女兒心臟中突然蘇醒的惡魔進(jìn)行斗爭(zhēng)的超自然電影。
捍衛(wèi)時(shí)空戰(zhàn)士
雷·利奧塔,蘭斯·亨利克森,斯圖亞特·維爾森,凱文·狄龍,凱文·J·奧康納,伊恩·麥克尼奇,杰克·謝菲爾德,邁克爾·勒納,埃涅·赫德森,Don HendersonRobbins is sentenced to prison for the assassination of his general officer, a prison you leave only when you die. Since nobody ever leaves the prison, nobody knows what the prison is like. The prison manager realizes this and buys himself an island playground called "Absolom," where the worst prisoners are free to create an isolated barbaric society, and where the strongest men rule...a living hell. Robbins is sent to Absolom after he almost kills the prison manager.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
獨(dú)自赴死
凱瑞-安·莫斯,道格拉斯·史密斯,弗蘭克·格里羅Tells the story of a young man who has amnesia. He bands together with a rugged survivalist in a zombie-like outbreak to find his girlfriend.