金手套 Der Goldene Handschuh

評分:3.0 播放:64萬 更新:2026-05-01

德國導演法提赫·阿金將拍攝一部犯罪題材新片。影片改編自海因茨·施特龍克的小說《金手套》,故事源自真實事件。1970年至1975年,一個名叫弗里茨·洪卡的心理變態(tài)兇犯在漢堡紅燈區(qū)謀殺了四名女子,他挑選“獵物”的地點是家名為“金手套”的酒吧。

劇情簡介

德國導演法提赫·阿金將拍攝一部犯罪題材新片。影片改編自海因茨·施特龍克的小說《金手套》,故事源自真實事件。1970年至1975年,一個名叫弗里茨·洪卡的心理變態(tài)兇犯在漢堡紅燈區(qū)謀殺了四名女子,他挑選“獵物”的地點是家名為“金手套”的酒吧。

為你推薦

辣手警花

桑德拉·布洛克,梅麗莎·麥卡西,德米安·比齊爾,馬龍·韋恩斯,邁克爾·拉帕波特,斯波肯·瑞恩斯,邁克爾·麥克唐納,丹·巴克達爾,比爾·伯爾,杰西卡·查芬,內森·科德里,塔蘭·基拉姆,簡·庫丁

  飛揚跋扈的FBI特工莎拉(桑德拉·布洛克 Sandra Bullock 飾)總是料事如神,屢建奇功,然而她強悍孤高的工作態(tài)度卻令很多同事受不了,怨聲載道的狀況又再次阻礙了她的升職,莎拉的上司決定將其派到波士頓,并安排了一名新搭檔穆林斯(梅麗莎·麥卡西 Melissa McCarthy 飾),共同追捕一個俄羅斯毒品集團,一方面發(fā)揮莎拉的機智,一方面則是考驗她是否擁有與人協(xié)作的能力。然而這位新搭檔偏偏也不是省油的燈,而是波士頓一名特立獨行滿口臟話的女警察,兩個從未合作過的彪悍女性,開始了令人捧腹的磨合期,然而她們通力合作追捕罪犯的好戲才剛剛開始……

不可饒恕1992

克林特·伊斯特伍德,吉恩·哈克曼,摩根·弗里曼,理查德·哈里斯,杰姆·沃爾福特,紹爾·魯賓內克,弗蘭西絲·費舍,安娜·萊文,大衛(wèi)·木西,羅伯·坎貝爾,安東尼·詹姆斯,塔拉·弗萊德里克,貝弗利·埃略特,莉薩·雷波-馬特爾,喬西·史密斯

  堪薩斯的農民威廉(克林特·伊斯特伍德 Clint Eastwood )年輕時曾是出名的殺手和劫匪,然而當遇上了克勞迪亞后,他的生活開始徹底改變。威廉和克勞迪亞結婚生子后,洗手不干,一家人過著幸福的生活。好景不長,克勞迪亞不久故去,威廉獨立帶著兩個孩子過著清貧寧靜的生活?! ∵@時,該地區(qū)發(fā)生了一起牛仔醉酒毆打妓女并將其毀容的惡性事件,壞蛋警長達格特(吉恩·哈克曼 Gene Hackman 飾)只將此事草草了結,兇手仍逍遙法外。當?shù)丶伺娂娋桢X,要求懸紅1000美金請殺手來伸張正義?!八伎品茽柕滦∽印闭业酵?,要求合伙干這票買賣。為了給孩子們一個幸福富足的家庭,威廉終于答應再次出山。

全信沒收

馬特·達蒙,本·阿弗萊克,史蒂文·元,緹雅娜·泰勒,薩莎·卡萊,卡塔琳娜·桑地諾·莫雷諾,斯科特·阿金斯,凱爾·錢德勒,內斯特·卡博內爾,琳娜·埃斯科,辻大介,何塞·巴勃羅·坎蒂略,伊萬·阿馬羅·布隆,艾莉·莫雷諾,肖恩·邁克爾,克里斯·西爾維斯特里,凱瑟琳·德明,戴夫·費里爾,奇里爾·保蘭

一群邁阿密警察在一間廢棄的藏身屋發(fā)現(xiàn)數(shù)百萬現(xiàn)鈔,彼此之間的信任開始瓦解。隨著外部人士得知充公金額如此可觀,一切變得疑點重重,到底還剩下什么可以相信?又有誰依然值得信賴?

化身博士

弗雷德里克·馬奇,米利亞姆·霍普金斯,羅絲·霍巴德,福爾摩斯·赫伯特

 基克爾(弗雷德里克·馬奇 Fredric March 飾)是一名知識非常淵博的科學家,他將畢生的經(jīng)歷都投注到了探索人性的善惡奧妙之中,并且最終制造出了一種可怕的藥劑,這種藥劑能夠令基克爾化身成為海德先生,基克爾將自己所有的惡意和壞念頭都投射到了海德的大腦里。白天,基克爾行醫(yī)救人樂善好施,待到夜幕降臨,海德先生便會現(xiàn)身,殺人害命,無惡不作?;藸栍幸晃幻幸淋剑桌麃喣贰せ羝战鹚?Miriam Hopkins 飾)的未婚妻,兩人之間的感情非常的要好,然而,海德先生的存在讓基克爾不自覺的被名叫碧翠絲(Eric Wilton 飾)的放蕩妓女所吸引。分裂的人格讓基克爾感到萬分的痛苦,他想要消滅海德先生。

女孩白日夢

鄭筠熹,尤柏耘,鄭景文,古峰

畢業(yè)在即,陳莉莉這位志向成為小說家的學生正努力克服拖延,面對現(xiàn)實與夢想的交錯,她能否完成自己的小說,勇敢邁向新生活?

亞當·桑德勒:愛你

丹·布拉,Jonathan Loughran,亞當·桑德勒,杰姬·桑德勒,羅伯·施奈德

 A new comedy special from Adam Sandler directed by Josh Safdie (making his comedy special directorial debut), Adam Sandler: Love You premieres globally on Netflix on August 27, 2024.

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.