花心大壞蛋

　　小老鼠雷米在嗅覺方面有著無與倫比的天賦，不想過與垃圾堆為伴的生活，心懷成為五星大廚的夢想?！　∫粋€(gè)偶然的機(jī)會(huì)，他認(rèn)識(shí)了古斯特餐廳的學(xué)徒林奎尼，這個(gè)倒霉的學(xué)徒生性害羞，在廚藝上更是沒有什么天賦，并且遭到餐廳大廚的排擠，即將被解雇。這一人一鼠結(jié)成了奇特的聯(lián)盟：雷米奉獻(xiàn)自己極富創(chuàng)造力的大腦。操作林奎尼前臺(tái)“表演”。　　在雷米的幫助下，林奎尼不但成為新的“天才廚師”，獲得了美女同事的愛情，還挫敗了大廚的陰謀，成為古斯特餐廳的合法繼承人。突如起來的成功讓林奎尼有些不知所措，想擺脫自己的傀儡身份，把雷米趕出了廚房。　　古斯特餐廳的成功，引起了苛刻的美食評論家科隆的注意，準(zhǔn)備一嘗林奎尼的手藝，重新為餐廳評定星級；而不甘失敗的前大廚，蠢蠢欲動(dòng)，想要找到林奎尼一夜成名的秘密。失去了雷米，林奎尼該如何面對這些問題……

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　故事背景設(shè)置在不遠(yuǎn)的未來世界，在414區(qū)的人型機(jī)器人殖民地中，私家偵探大衛(wèi)·卡邁克爾(皮爾斯飾)受雇于癡迷商業(yè)世界的財(cái)閥馬龍·維特(費(fèi)米爾飾)去尋找后者叛逆的女兒?？ㄟ~克爾需要與高度智能的機(jī)器人(魯茨飾)通力合作，而在這個(gè)過程中，關(guān)于414區(qū)和“機(jī)器人之城”起源的罪行也浮出了水面。

　　出于自衛(wèi)，理查德射殺了侵入自己家中的陌生人。但是他不得不面對死者父親的殘忍報(bào)復(fù)。然而不久，敵對雙方就發(fā)現(xiàn)事實(shí)并不像表面展現(xiàn)的那么簡單，他們不得不聯(lián)合起來面對黑暗的真相。