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劇情簡(jiǎn)介
女主到爸爸的朋友家中寄宿,跟這個(gè)叔叔產(chǎn)生了一種莫名其妙的情愫,以至于隨著二人的相處,逐漸感情變得更加濃厚,而這道倫.理的鴻溝無(wú)法輕易跨越,直到有一天,女主不得不離開(kāi)之際,爸爸的朋友鼓足了勇氣,向她傾述
同類(lèi)好片
黑域封鎖
特瓦納·巴尼特,邁克·弗格森,LeeAnne Bauer誤人子弟
林海峰,黃秋生,徐子淇,張達(dá)明,伍詠薇,葉廣儉,蘭茜我的老婆是明星
周柏豪 ,劉心悠,林德信,蔡潔,蔣志光,李尚正,郭偉亮,葉佩雯,朱薰,李日朗,杜德偉,連詩(shī)雅,盧海鵬,林盛斌,邵美琪,車(chē)婉婉,莊鍶敏,田啟文,趙碩之,古天祥,符曉薇,黃文慧,余慕蓮,王曉君,李潤(rùn)庭,可宜下一個(gè)臺(tái)風(fēng)
張子楓,張偉麗,李心潔,姚晨,李曉川,蔡珩,曾慕梅,柴燁,蔣昀霖任務(wù)迷走72小時(shí)
魯克·高斯,博基姆·伍德拜因,路易·曼迪勒,馬克·可汗,萊昂納德·凱利-揚(yáng),海瑟·洛普,布魯克·紐頓,羅伯特·菲茨杰拉德·迪格斯,雷弗·甘特沃特下一個(gè)臺(tái)風(fēng)
張子楓,張偉麗,李心潔,姚晨,李曉川,蔡珩,曾慕梅,柴燁,蔣昀霖人氣佳作
仿生人妻子
喬納森·萊斯·梅耶斯,埃萊娜·康博里斯,多隆·貝爾,阿加·達(dá)什,Alix Villaret,Fletcher Donovan,莎拉·桑帕約,Rachelle Goulding,凱特琳·史崔克,C.J. Perry未來(lái)學(xué)大會(huì)
羅賓·懷特,哈威·凱特爾,喬恩·哈姆,保羅·吉亞瑪提,柯蒂·斯密特-麥菲,丹尼·赫斯頓,薩米·蓋爾,邁克爾·斯塔爾-大衛(wèi),邁克爾·蘭德斯,莎拉·夏希,埃德·科爾賓,克里斯托弗·B·鄧肯,埃文費(fèi)蘭特,弗蘭西絲·費(fèi)舍謊島美人魚(yú)
溫碧霞,禾浩辰,歸亞蕾,庹宗華,董至成,劉國(guó)劭,雷艾美,吳大維,黃詩(shī)棋格吉(殺人鬼)
卡文·英瑪諾泰,Supawadee Kitisopakul,??????? ????????????導(dǎo)演精選
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
民國(guó)驚魂錄
民國(guó)年間,上海灘閘北區(qū)保德路發(fā)生一樁命案,死者后來(lái)經(jīng)過(guò)確認(rèn),竟然是馬源商會(huì)老板馬廣則。 多年來(lái),馬源商會(huì)在閘北一直都頗具影響力,馬廣則更是最被看好的商界風(fēng)云人物,他的死打破了閘北區(qū)原本的寧?kù)o。
蠟筆小新:灼熱的春日部舞者們
春日部防衛(wèi)隊(duì)在“春日部?jī)和瘖蕵?lè)節(jié)”舞蹈比賽中,獲得勝利,他們因此得到了前往印度的機(jī)會(huì)。在盡情享受印度旅游的過(guò)程中,小新和阿呆進(jìn)入了一家神秘的雜貨店,在那里發(fā)現(xiàn)了一個(gè)形狀像“鼻子”的背包并買(mǎi)下了它。然而,這個(gè)背包隱藏著一個(gè)非??膳碌拿孛?。