劇情縱覽
呆在一個(gè)度假勝地Kalaya是為了擺脫她的婆婆。在這里她遇到坐誰(shuí)是經(jīng)理的度假村和祂們有外遇。單詞丅車(chē)給婆婆和她發(fā)送一個(gè)私人偵探來(lái)拍照作為證據(jù)。但偵探也噯上了Kalaya和跟她做噯
在線(xiàn)暢看
臻選佳作
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
登帕卡農(nóng)
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沉默的艦隊(duì)2
大澤隆夫
在酷寒的北方海域，核潛艇大和號(hào)伴隨著莫扎特的旋律，開(kāi)始了駛向紐約聯(lián)合國(guó)總部的深海航程。在美俄交界的白令海峽，一艘性能全面碾壓大和號(hào)的美國(guó)核潛艇正悄然逼近。此刻，寒冷的北冰洋上，碎裂的浮冰之間，一場(chǎng)激戰(zhàn)就此拉開(kāi)帷幕。
泉京香不會(huì)沉默
飯豐萬(wàn)理江,高橋一生,堀田真由,寬一郎,橋本淳
這是系列首次以露伴的責(zé)任編輯、同時(shí)也是其得力搭檔——泉京香為主人公展開(kāi)的故事。這一次，京香因露伴的一句話(huà)，被卷入一場(chǎng)難以想象的怪異事件。本作在原作者荒木飛呂彥的協(xié)助下完成劇本創(chuàng)作，并由在國(guó)際上也備受關(guān)注的導(dǎo)演組合“5月”的關(guān)友太郎與平瀨謙太朗共同執(zhí)筆，推出全新原創(chuàng)故事。