風(fēng)流表哥俏表妹

★ 3.9 播放：19萬(wàn) 更新：2026-05-05

好色經(jīng)理的俏表妹旅游來(lái)訪，秘書，二奶，表妹，全部床上放倒...

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好色經(jīng)理的俏表妹旅游來(lái)訪，秘書，二奶，表妹，全部床上放倒...

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A story of redemption in a world gone dark.

洋基的驕傲

 盧（加里·庫(kù)柏 Gary Cooper 飾）出生在一個(gè)貧困的家庭之中，雖然他對(duì)于棒球這項(xiàng)運(yùn)動(dòng)有著狂熱的愛好，但是母親卻希望他能夠成為一名建筑師，因?yàn)樵谀赣H的觀念里，建筑師才能賺大錢。盧通過不懈的努力考進(jìn)了哥倫比亞大學(xué)念書，同時(shí)也沒有放棄自己的棒球夢(mèng)想。在一次校級(jí)比賽中，盧的全壘打讓他受到了球隊(duì)經(jīng)紀(jì)人的注意，與此同時(shí)，盧的母親患上了絕癥急需一筆醫(yī)藥費(fèi)，為了拯救母親，同時(shí)也為了自己的夢(mèng)想，盧在20歲那一年簽約成為了洋基隊(duì)的職業(yè)球員。頭兩年，盧在球隊(duì)里的事業(yè)并不順利，一直都是坐冷板凳的份，直到1925年，盧在賽場(chǎng)上的優(yōu)秀表現(xiàn)漸漸吸引了球迷們的目光，兩年之后，盧一躍成為了球隊(duì)里最有價(jià)值的球員。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.