韓國(guó)版肉蒲團(tuán)
在韓國(guó)古代，大男人主義經(jīng)常發(fā)生，而這種主義早已根深蒂固，存在于貴族與平民之間。由于古時(shí)生活單調(diào)平凡，ML與ML能力，在平時(shí)逍遣欲望中，成為很重要課題，常在不知不覺(jué)中，發(fā)生男歡女愛(ài)的y-蕩茍合，尤其有錢(qián)男人貪香，女人為了銀兩，寡婦不奈長(zhǎng)期空虛孤獨(dú)，做出許多癡迷瘋狂的y-穢事。有位寡婦的秘密春-很管用，吃了它，小弟會(huì)轉(zhuǎn)彎，大哥會(huì)打關(guān)，做完愛(ài)后，就又愿姦，萬(wàn)試萬(wàn)靈，許多男人吃過(guò)都說(shuō)妙，持久力可達(dá)三倍以上，能
即刻觀影
劇情賞析
編輯推薦
異形終結(jié)
彼得·威勒,羅伊·迪普伊,詹妮弗·魯賓,安德魯·勞厄爾,邁克爾?卡洛茲,杰森·卡弗利爾,萊尼·帕克,布魯斯·博阿,查爾斯·鮑威爾,Liliana Komorowska,Tom Berry,Henry Ramer故事發(fā)生在遙遠(yuǎn)的2078年，礦業(yè)組織NEB在天狼星6B行星上發(fā)現(xiàn)了名為“Berynium”的元素，該元素蘊(yùn)含著巨大的能量，可以用來(lái)充當(dāng)能源使用。組織派遣了一批礦工前往行星進(jìn)行能源開(kāi)采，然而工人們很快就發(fā)現(xiàn)，Berynium擁有強(qiáng)烈的放射性，根本不適合使用。雖然礦工們強(qiáng)烈要求停止任務(wù)，但組織卻不為所動(dòng)，無(wú)奈之下，礦工們自發(fā)的組成了“聯(lián)盟”，和組織之間開(kāi)始漫長(zhǎng)的對(duì)抗。為了抵擋組織的猛烈攻擊，聯(lián)盟研制出了小型機(jī)器人“Screamer”，它擁有敏捷的身手和強(qiáng)大的攻擊力，給敵方造成了巨大的傷害。然而，聯(lián)盟并不知道的是，在不知不覺(jué)間，機(jī)器人們已經(jīng)進(jìn)化出了自我意識(shí)，想要成為這顆星球上的主宰者。
冥界
杰森·倫敦,羅伯特·英格蘭德,Gianni Capaldi,洛麗娜·卡姆布羅瓦,黛安娜·柳貝諾娃,阿塔納斯·斯雷布雷夫,Nikolay Valentinov Lukanov,John Strong,斯蒂芬·施特雷夫,Julieta Koleva,Todor Dotsev,Dimitar Banchev,Lyuben Popov前洛杉磯警察布雷特在保加利亞首都索非亞，擔(dān)任一棟舊公寓大樓的安保主管。布雷特很快發(fā)現(xiàn)了一股邪惡力量，打開(kāi)了冥界與人類(lèi)世界的大門(mén)……
德國(guó)懸案事件簿：失蹤警探
羅蘭·維斯內(nèi)克,梅克·德羅斯特,馬克·本杰明·普赫一天清晨，刑警驚覺(jué)自己的搭檔失去了音訊。事實(shí)上，搭檔在夜晚返家的途中，意外目睹一起犯罪行為。不料現(xiàn)場(chǎng)突然發(fā)生提款機(jī)爆炸，她身受重傷，隨即被犯人綁走。
迷妄國(guó)度3
碧帕莎·芭素,埃朗·哈斯米,杰奎琳·費(fèi)南德斯故事背景設(shè)置在殘酷的娛樂(lè)圈內(nèi)，這個(gè)充斥著浮華、魅影、聚光燈的幕后。漸漸褪色的電影天后Shanaya求助于黑魔法來(lái)阻擾平步青云的影壇新星Sanjana，因?yàn)镾anjana已不擇手段地篡奪了她曾經(jīng)的位置。無(wú)情的Sanjana還利用她的愛(ài)人Aditya對(duì)付她，而Aditya當(dāng)初和她在一起，只不過(guò)是把她當(dāng)成一顆棋子助自己事業(yè)一臂之力。Aditya愛(ài)上了Sanjana并發(fā)誓會(huì)保護(hù)她，然而此時(shí)的Shanaya已成為一個(gè)瘋狂的魔鬼，她誓要耗盡他們所有人的生命。
世外逃劫
錫德·盧塞羅,碧優(yōu)緹·岡薩雷斯,詹姆斯·布蘭科喪尸危機(jī)爆發(fā)后，一家人躲到一處偏僻的農(nóng)場(chǎng)。然而，當(dāng)他們?cè)谶@個(gè)荒涼的世界求生時(shí)，隱藏多年的痛苦秘密給這家人造成了巨大陰影。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.