女體調(diào)教人2
Veronica因家產(chǎn)爭(zhēng)執(zhí)而被繼母送進(jìn)一家指導(dǎo)學(xué)校。在這家學(xué)校中Veronica受盡各種虐待，但是堅(jiān)決不簽署繼母需要的法律文件。時(shí)間慢慢過(guò)去，Veronica卻發(fā)現(xiàn)自己的身體已經(jīng)開(kāi)始習(xí)慣這種SM，甚至開(kāi)始上癮。她又會(huì)如何在這家學(xué)校里生存下去呢？ 在IMDB上這部片子被歸屬于Les類片子，片中出演的女演員們確實(shí)值得一看。
即刻觀影
劇情賞析
編輯推薦
浪浪人生
黃渤,范丞丞,殷桃,常遠(yuǎn),李嘉琦,劉雪華,付航,孫藝洲,張本煜,易小星,小愛(ài),鄧恩熙,李治良,劉西蒙,郝瀚,杜夢(mèng)涵,莊園曾經(jīng)叱咤小鎮(zhèn)的“大哥”黃榮發(fā)（黃渤 飾）如今嘴硬腿軟，開(kāi)啟人生困難模式，但他和家人都沒(méi)有被命運(yùn)的風(fēng)浪裹挾。兒子黑狗達(dá)（范丞丞 飾）看似是黃家唯一“淡人”，暗地卻密謀如何發(fā)家又“治父”；妻子陳梨珍（殷桃 飾）樣樣全能橫掃困難，是小鎮(zhèn)人盡皆知不太好惹的“媽系超人”；膽大手“黑”的女兒黃嬌嬌（李嘉琦 飾）和“神”通廣大的阿太（劉雪華 飾）也各出奇招笑料百出。逆境當(dāng)前，一家唯有興“瘋”作浪跟生活貼臉硬剛，沒(méi)準(zhǔn)真能讓他們絕地翻盤(pán)？
校園鬼
韓藝璃,金花雨,申智秀,樸元尚,李鐘碩1）因和同學(xué)打賭賭輸，樸貞元、云貞等三個(gè)女孩被迫潛入傳說(shuō)中鬧鬼的廢棄校舍內(nèi)探險(xiǎn)。她們戰(zhàn)戰(zhàn)兢兢、心慌意亂，鬧出不少自己嚇自己的笑話。然而，女孩們的吵鬧驚動(dòng)了此前曾死在這里的一個(gè)女孩的怨靈，她似乎有意將這三個(gè)冒失的闖入者留在這里。 2）圓圓和齊齊是一對(duì)情同姐妹的好朋友，但是她們的友情正受到嚴(yán)峻的考驗(yàn)。她們同時(shí)喜歡上帥氣的學(xué)生會(huì)主席，也因成績(jī)優(yōu)秀將共同角逐校長(zhǎng)的推薦升學(xué)資格。一切朝著不可預(yù)測(cè)的方向發(fā)展?！ ?）高中男孩具有敏感體質(zhì)，他能看到周圍的鬼魂。他在教室中被一個(gè)少女的鬼魂纏上，女孩死于非命，而殺害她的兇手的鬼魂不久也尾隨前來(lái)……
向光花盛開(kāi)
黃志忠,趙潤(rùn)南,齊歡,江珊,任重,歐豪我叫夏津生，做水產(chǎn)生意，45歲那年我兒子跳樓自殺了，他死后第37天我進(jìn)了他所有的群，我發(fā)現(xiàn)里面全都是有抑郁傾向企圖輕生的孩子，我不知道為什么，我在“約死群”留言1萬(wàn)9千次，問(wèn)過(guò)127個(gè)男孩，49個(gè)女孩，到現(xiàn)在也沒(méi)有答案……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
新萬(wàn)圣節(jié)
馬爾科姆·麥克道威爾,布拉德·道里夫,威廉·弗西斯,雪莉·穆恩·贊比1963年，在位于美國(guó)的伊利諾斯州的霍登平原市。陰暗恐怖的夜色籠罩著這座死寂的小城市，一起奇異的慘案就在黑暗當(dāng)中發(fā)生了：梅爾斯家里只有六歲大小的邁克爾·梅爾斯（達(dá)格·法奇飾），殘忍的用棒球棒將母親的男朋友一棍一棍的錘成了肉泥，然后又將自己的姐姐以及姐姐的男朋友一同肢解得支離破碎、慘不忍睹…… 事實(shí)上，這個(gè)特別的小男孩兒在一生來(lái)似乎從面孔到內(nèi)心就充滿了深深的邪惡與仇恨。而令所有人萬(wàn)萬(wàn)沒(méi)有想到的是男孩剛剛長(zhǎng)到他6歲這一年便瘋狂般地露出了他猙獰的惡魔臉孔。而每一年象征著“群魔亂舞”的萬(wàn)圣節(jié)似乎也成了他活躍異常的時(shí)刻。 根據(jù)美國(guó)當(dāng)?shù)氐姆?，未成年人殺人并不?huì)受到警方更嚴(yán)厲的制裁，最終裁定將這個(gè)心靈扭曲的少年送到了精神療養(yǎng)所進(jìn)行看管。在那里，一個(gè)名叫薩米爾·魯米斯的醫(yī)生負(fù)責(zé)調(diào)教和看管惡魔男孩兒。從未見(jiàn)識(shí)過(guò)如此兇殘的兒童的魯米斯想盡一切辦法接近這個(gè)可怕少年的心靈，試圖去影響、改變他的一切。但醫(yī)生做的所有嘗試都最終以失敗而告終。邁克爾·梅爾斯是一個(gè)極其頑固的邪惡的載體，他沒(méi)有理智、毫無(wú)人性可言，有的只是日益強(qiáng)悍的身體和越來(lái)越強(qiáng)烈的暴虐和不斷增長(zhǎng)的殺戮欲望——薩米爾·魯米斯最后也意識(shí)到了這點(diǎn)，但似乎所有這一切都已經(jīng)為時(shí)太晚了。 在被關(guān)押了漫長(zhǎng)的十七年之后，已經(jīng)“長(zhǎng)大成人”的邁克爾·梅爾斯憑借強(qiáng)壯的身體終于找到機(jī)會(huì)逃出了逼仄的牢籠。壓抑已久的仇復(fù)與殺戮的惡魔之心終于得到了釋放的機(jī)會(huì)，他迫不及待的回到霍登平原市，去尋找他唯一真正愛(ài)護(hù)過(guò)的妹妹勞瑞?！ ∵@一切的真相，只有薩米爾·魯米斯知道，老醫(yī)生深知他的目的所在；也只有薩米爾·魯米斯知道，任何不幸遭遇惡魔邁克爾·梅爾斯的人都將以最慘痛的方式付出自己的生命做代價(jià)。如今，留給他的時(shí)間已經(jīng)不多，他要竭盡全力去警告無(wú)知的人們，并保護(hù)這家人唯一的希望——?jiǎng)谌?。與此同時(shí)，為了所有其他人的無(wú)辜性命，魯米斯還要拼盡全力找到并控制住瘋狂的邁克爾·梅爾斯。尤其是每當(dāng)月黑風(fēng)高的萬(wàn)圣節(jié)之夜悄悄降臨時(shí)……
圍困
尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫(kù)洛娃,列夫·佐洛圖欣,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈?duì)柊屯蟹?謝爾蓋·哈欽科,丹尼爾·薩加爾,Vasiliy Minin,Valentin Abramov,Anatoliy Verbitskiy,米哈伊爾·烏里揚(yáng)諾夫,Roman Gromadsky,Konstantin Malakhov,Stanislav Fesyunov,Yuri Maltsev,Aleksandr Afanasev,Vladimiras Lido,Yuri Ku該片講述了偉大衛(wèi)國(guó)戰(zhàn)爭(zhēng)期間列寧格勒遭受德寇圍困的九百天，列寧格勒軍民克服種種令人難以置信的困難--饑餓，轟炸，疾病，寒冷——保衛(wèi)了這座“英雄城”并最終打破了德寇的圍困的故事。