欲?;?/h1>
★ 6.3 播放:53萬 更新:2026-05-03

沙奇是風(fēng)度翩翩的紳士,暗中從事走私販毒及軍火買賣之不法勾當(dāng),在一次黑吃黑的拚殺後,沙其與杜老板勢不兩立. 夜總會艷星羅娜遇舊識侽友李浩,舊情復(fù)熾,但羅娜似有隱憂,因被沙奇操縱,成為犯罪工具,李浩欲帶羅娜`遠(yuǎn)走高飛,遭沙奇手丅抓回,李浩痛不欲生. 其後李浩喝酒消愁認(rèn)識美琳,美琳深富正義感,且對李浩一見鍾情,答應(yīng)相助....展開 沙奇是風(fēng)度翩翩的紳士,暗中從事走私販毒及軍火買賣之不法勾當(dāng),在一次黑吃黑的拚殺後,沙其與杜老板勢不兩立. 夜總會艷星羅娜遇舊識侽友李浩,舊情復(fù)熾,但羅娜似有隱憂,因被沙奇操縱,成為犯罪工具,李浩欲帶羅娜`遠(yuǎn)走高飛,遭沙奇手丅抓回,李浩痛不欲生. 其後李浩喝酒消愁認(rèn)識美琳,美琳深富正義感,且對李浩一見鍾情,答應(yīng)相助. 美琳在夜總會跳艷舞,欲搜查證物,不料被識破,李浩遭毒打,而美琳遭沙奇強暴.事後,沙奇欲殺二人滅口,此時杜老板正好前來尋仇,火拚中,李浩與美琳趁機(jī)逃脫. 杜老板被殲殺,李浩與美琳深入虎穴 欲救出羅娜,仟鉤一髲之際,警方奔馳而至,將沙奇這邦罪犯一綱打盡.   

在線播放

劇情簡介

沙奇是風(fēng)度翩翩的紳士,暗中從事走私販毒及軍火買賣之不法勾當(dāng),在一次黑吃黑的拚殺後,沙其與杜老板勢不兩立. 夜總會艷星羅娜遇舊識侽友李浩,舊情復(fù)熾,但羅娜似有隱憂,因被沙奇操縱,成為犯罪工具,李浩欲帶羅娜`遠(yuǎn)走高飛,遭沙奇手丅抓回,李浩痛不欲生. 其後李浩喝酒消愁認(rèn)識美琳,美琳深富正義感,且對李浩一見鍾情,答應(yīng)相助....展開 沙奇是風(fēng)度翩翩的紳士,暗中從事走私販毒及軍火買賣之不法勾當(dāng),在一次黑吃黑的拚殺後,沙其與杜老板勢不兩立. 夜總會艷星羅娜遇舊識侽友李浩,舊情復(fù)熾,但羅娜似有隱憂,因被沙奇操縱,成為犯罪工具,李浩欲帶羅娜`遠(yuǎn)走高飛,遭沙奇手丅抓回,李浩痛不欲生. 其後李浩喝酒消愁認(rèn)識美琳,美琳深富正義感,且對李浩一見鍾情,答應(yīng)相助. 美琳在夜總會跳艷舞,欲搜查證物,不料被識破,李浩遭毒打,而美琳遭沙奇強暴.事後,沙奇欲殺二人滅口,此時杜老板正好前來尋仇,火拚中,李浩與美琳趁機(jī)逃脫. 杜老板被殲殺,李浩與美琳深入虎穴 欲救出羅娜,仟鉤一髲之際,警方奔馳而至,將沙奇這邦罪犯一綱打盡.   

導(dǎo)演精選

毒蜂

新型毒品“蜜蜂”在江州毒品市場肆虐,隨著研制者“毒蜂”被緝拿歸案,其配方也面臨消失,毒界變得風(fēng)聲鶴唳。主人公段成(富大龍 飾)在一次押送途中越獄,并對外宣稱自己是“唯一知道蜜蜂配方”的人,面臨配方重出江湖的巨大誘惑,多方勢力開始對段成展開威逼利誘。經(jīng)歷追殺、強行被注入毒品等非人折磨后,段成滲入毒巢,以“誘餌”身份一步步接近大毒梟“蜂王”……另一方面,江州警方的“捕蜂人行動”也正式啟動,一場正與邪、善與惡的黑白對決一觸即發(fā)……

長短腳之戀

  阿美(王祖賢 飾)是個美麗的女孩子,可是天生腳就有殘疾。她的父親(黃霑 飾)因被堂叔欺騙買下了一間破舊不堪的超級市場,花掉了畢生積蓄的父親變得瘋瘋癲癲的。阿美既要照顧父親,又要幫忙打理超級市場,生活的重?fù)?dān)落在了她的身上。在一次交通意外中,司機(jī)梁少祖(周潤發(fā) 飾)以為自己 把阿美撞至殘疾,十分內(nèi)疚,便決定要幫助阿美經(jīng)營超級市場。阿美一開始并不信任梁少祖,到后來他聯(lián)合朋友來幫助自己的超級市場度過難關(guān),心里滿是感動,兩人更墜入了愛河。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster