潘多拉之巔

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　桂治洪“邪”三部曲之末。　　人鬼能否相戀？一只女鬼愛上了年輕英俊的馬素（羅莽 飾），于是找到她的父親幫她提親。馬素得知后嚇得魂不附體，毅然拒絕?？墒桥聿]放棄，她得知馬素暗戀漂亮女孩紅卜卜，于是設法讓紅卜卜死于車禍，然后借尸還魂。馬素見到暗戀已久的女孩主動投懷送抱，喜不自勝，兩人開始了一起生活。生活中每當馬素有什么不如意，女鬼都會運用自己的能力幫他排憂解難。但天下沒有不透風的墻，馬素終于知道了戀人原來是那只喜歡自己的女鬼……

 這部1973年的小說由安部公房創(chuàng)作，講述了一位無名男子放棄自己的身份，頭頂一個大紙箱生活的故事。在東京街頭游蕩時，他遇到了各種各樣的人物。

　　1988 年，心懷偵探夢想的費城警官托馬斯·洛克哈特（波伊德·霍布魯克飾演）開始追蹤一名連環(huán)殺手，此人每隔 9 年就神秘地出現(xiàn)一次。但是當殺手的罪行開始違背所有的科學解釋時，洛克對真相的癡迷可能會毀掉他的事業(yè)、家庭，甚至是他的心智?！对掠皻⒑邸肥且徊炕旌项}材的心理驚悚片，探討了時間的力量，以及時間的流逝如何使我們相聚又分開。該片由吉姆·米可執(zhí)導，其他主演包括邁克爾·C·豪爾和克利歐佩特拉·科爾曼。