干掉全家看電影
早期的巴西“邊緣電影”經(jīng)典:在里約熱內(nèi)盧，23歲的地下電影人Júlio暫無內(nèi)容Bressane拍攝了其第二部長(zhǎng)片作品《殺死家庭，看電影去》（1969），這部?jī)H用了12天就完成的電影成為“Cinema暫無內(nèi)容Marginal”中最經(jīng)典的杰作之一，大量的手提式攝影，不規(guī)則的廣角鏡頭，雜亂無序的剪輯以及好幾個(gè)同時(shí)進(jìn)行又完全獨(dú)立的劇情，試驗(yàn)性的電影語言使其成為“邊緣電影”中最具創(chuàng)造力的作品之一，在其誕生22年之后，巴西重拍了這部經(jīng)典地下電影的彩色版，但重拍版卻完全失去了原版的影像光芒。
劇情簡(jiǎn)介
早期的巴西“邊緣電影”經(jīng)典:在里約熱內(nèi)盧，23歲的地下電影人Júlio暫無內(nèi)容Bressane拍攝了其第二部長(zhǎng)片作品《殺死家庭，看電影去》（1969），這部?jī)H用了12天就完成的電影成為“Cinema暫無內(nèi)容Marginal”中最經(jīng)典的杰作之一，大量的手提式攝影，不規(guī)則的廣角鏡頭，雜亂無序的剪輯以及好幾個(gè)同時(shí)進(jìn)行又完全獨(dú)立的劇情，試驗(yàn)性的電影語言使其成為“邊緣電影”中最具創(chuàng)造力的作品之一，在其誕生22年之后，巴西重拍了這部經(jīng)典地下電影的彩色版，但重拍版卻完全失去了原版的影像光芒。
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勇者斗惡龍 你的故事
佐藤健,有村架純,波瑠,坂口健太郎,山田孝之,小林劍道,安田顯,古田新太,松尾鈴木,山寺宏一,井浦新,賀來千香子,吉田鋼太郎根據(jù)史克威爾的名作RPG《勇者斗惡龍》改編的CG動(dòng)畫電影《勇者斗惡龍：你的故事》
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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
地窖2024
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近戰(zhàn)
杜夫·龍格爾,吉娜·梅,邁克爾·帕爾,巴沙爾·拉海爾,詹姆斯·查爾克身陷囹圄的特種兵麥克（杜夫·龍格爾 Dolph Lundgren 飾）終于迎來了被保釋的那一天，然而，令麥克沒有想到的是，保釋他的不是別人，居然是美國(guó)大使館的官員克萊夫（邁克爾·帕爾 Michael Paré 飾）。原來，有一項(xiàng)充滿了危險(xiǎn)和變數(shù)的任務(wù)擺在眼前，而身經(jīng)百戰(zhàn)經(jīng)驗(yàn)豐富的麥克則是這項(xiàng)任務(wù)最合適的執(zhí)行者?！ 「鶕?jù)提示，麥克需要去營(yíng)救一位名叫安娜（吉娜·瑪麗 Gina Marie 飾）的女子，安娜遭到了武裝綁架，有可能被敵方洗了腦。而當(dāng)麥克找到安娜時(shí)，安娜卻告訴麥克她被綁架一說是子虛烏有，而麥克要將她帶走的行為才是真正的綁架。安娜和克萊夫之間，一定有一個(gè)人在說謊，沒過多久，陷入了困惑之中麥克就發(fā)現(xiàn)，他和安娜已經(jīng)成為了眾矢之的。
羅格河
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