即刻觀影
劇情賞析
編輯推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
姐妹董事會(huì)
蕾切爾·蕾·庫克,丹妮拉·莫奈,列奧尼達(dá)斯·古拉普蒂斯公司高管梅根成立了一個(gè)董事會(huì)，以改善她妹妹混亂的生活，并與一位心理學(xué)教授墜入愛河，后者發(fā)現(xiàn)了她強(qiáng)硬的舉止。
毛骨悚然撞鬼經(jīng) 2021特別篇
橋本環(huán)奈,恒松祐里,山中崇,與田祐希
大明嬪妃之反攻
宋洋,何杜娟,朱一龍,陳一諾,關(guān)慧卿,王藝曈,王春妹因?yàn)樘釉凇俺r之役”上所表現(xiàn)出的高瞻遠(yuǎn)矚的智慧，萬歷對(duì)太子的態(tài)度大大改觀，率眾人到太子府看望自己的皇長孫。宴席之上，三皇子主動(dòng)要求速速離開京城，到洛陽就封，眾人大感疑惑。辭行宴上三皇子早早酒醉，原來是想借此機(jī)會(huì)帶姚芊芊私奔，不想被金碧瑤破壞。知道三皇子和姚芊芊私情的王恭妃決定有所行動(dòng)。王恭妃設(shè)計(jì)讓金碧瑤假懷孕，姚芊芊在鄭貴妃的脅迫下打算除掉金碧瑤腹中骨肉，卻掉入王恭妃的陷阱。王恭妃以“善妒”為由，廢掉了姚芊芊的太子妃。而一時(shí)間關(guān)于太子妃紅杏出墻的傳聞?dòng)謴浡┏牵f歷要王恭妃徹查此事，王恭妃巧妙的將太極推給了鄭貴妃，姚芊芊命懸一線，而鄭貴妃面對(duì)王恭妃步步為營的反攻，已回天乏術(shù)，她打算棄車保帥……姚芊芊駕鶴西去，三皇子悲傷不已。鄭貴妃準(zhǔn)備杖斃朱由樺。蘭心為了保孩子周全，不惜與太子吵架。太子生氣之下和梅兒一夜纏綿，認(rèn)為梅兒是最懂他的人。
混凝土市場(chǎng)電影版
李在仁,紅炅,鄭滿植,劉秀彬,金國熙,崔正云,宋智仁,李家晴,李道根,孫寅勇...
首都消失
渡瀨恒彥,名取裕子,山下真司,江角英明,大瀧秀治,石橋蓮司,石野陽子,加藤治子,岸部一德,三木紀(jì)平,夏八木勛,龍雷太,相馬剛?cè)?丹波哲郎,津村鷹志,渡邊文雄,財(cái)津一郎,海老名美どり這部災(zāi)難影片背景以現(xiàn)代日本為中心，主要描寫東京突然被一股莫名的濃霧所籠罩，整個(gè)都會(huì)好像一下子消失了似的，各地政府及科研人員因此極為震驚，急忙組織起來研究對(duì)策。但是人們卻無法穿越濃霧進(jìn)入東京首都圈。這場(chǎng)濃霧形成了一個(gè)無法穿越的電磁屏障。而圈外的科學(xué)家們則在受損嚴(yán)重的軍用偵察機(jī)上得到靈感，利用即將到來的臺(tái)風(fēng)和雷暴雨，加上人工大功率電磁干擾機(jī)，終于化解了這場(chǎng)戲劇般的非自然危機(jī)?！ ∵@原本該是一個(gè)不錯(cuò)的富有戲劇張力的構(gòu)思，但拍出來的片子卻教人不敢叫好，劇中女記者的角色刻劃不具感染力，而她和男記者之間時(shí)好時(shí)壞的關(guān)系描寫也讓人感覺莫名其妙，確是讓觀眾感覺象一場(chǎng)霧。