播放通道
詳細(xì)簡介
熱門影視 大家都在看
怒海浩劫
李岷城,林妍柔,彭士騰,曹操,黃一晗,于小彬,李巖,李媛,海波愛爾蘭式告別
米歇爾·費爾利,帕迪·詹金斯,James Martin,謝默斯·奧哈拉左拉傳
保羅·穆尼,蓋爾·桑德加德,約瑟夫·希爾德克勞特,格洛麗亞·霍頓,唐納德·克里斯普猩球崛起:新世界
歐文·泰格,弗蕾婭·艾倫,凱文·杜蘭,皮特·馬孔,威廉姆·H·梅西,艾卡·達(dá)維爾,迪辰·拉克曼,尼爾·桑迪蘭茲,薩拉·懷斯曼,莉迪亞·佩克漢,特拉維斯·杰弗里,拉斯-塞繆爾·瓦爾達(dá)布茲,尼娜·加拉斯異形帝國
詹姆斯·肯恩,曼迪·帕廷金,特倫斯·斯坦普,皮特·杰森,杰夫·科伯,托尼·佩雷斯,布萊恩·湯普森,弗朗西斯·X.麥卡蒂,基內(nèi)·揚,阿爾·伯恩,弗蘭克·考利森,湯姆·莫爾加,亞歷克·吉利斯,林凡 ,賈斯珀·科爾,Roger Aaron Brown,Don Hood,Edgar Small,Harri James,Brian Lando,Regis Parton,Jessica James,Clarence Landry,George Robotham,James De Closs不能犯
松坂桃李,澤尻英龍華,新田真劍佑,安田顯,間宮祥太朗,真野惠里菜,蘆名星,矢田亞希子,菅谷哲也,岡崎紗繪,忍成修吾,水上劍星,水上京香,今野浩喜,堀田茜,小林稔侍同類推薦
超時空獵殺
苗韻桐,郝艾莉,張晶2020年,在香港首次發(fā)現(xiàn)穩(wěn)定蟲洞,人們可以通過穩(wěn)定蟲洞回到歷史上的時間節(jié)點,為了防止有人通過蟲洞回到歷史并破壞歷史,時空管理局應(yīng)運而生。 時空管理局擔(dān)負(fù)著校正歷史、讓歷史按著既定軌道運行的使命。然而時空守衛(wèi)隊隊長左石,卻突然率領(lǐng)五名部下,攜帶著超出時代進(jìn)程的槍支武器,闖入蟲洞,回到了歷史中的秦陽城,意圖以顛覆歷史要挾時管局在48小時內(nèi)關(guān)閉蟲洞。 為了挽救歷史,女探員景彤臨危受命與前守衛(wèi)隊隊長秦朗,帶領(lǐng)新組建的守衛(wèi)隊,配備青銅武器回到歷史之中,阻止左石一行。
河貍變身計劃
佩珀·柯達(dá),鮑比·莫尼漢,喬恩·哈姆,凱茜·納基麥,戴夫·弗蘭科,愛德華多·弗蘭科,梅麗莎·維亞西諾爾,托馬斯·勞,梅麗爾·斯特里普,瓦妮莎·貝爾,阿帕娜·南切拉,山姆·理查森,小伊塞亞·維特洛克,史蒂夫·波賽爾,艾戈·烏迪姆,妮可拉·布魯姆,凱倫·惠伊,莉拉·劉,埃曼·阿卜杜勒-拉扎克,喬·斯帕諾,羅里·艾倫,迪米特利·馬丁少女梅寶(佩珀·柯達(dá) Piper Curda 配音)偶然借助突破性技術(shù),讓自身意識“跳脫”身體,進(jìn)入機械動物體內(nèi),“變身”為一只活潑靈動的河貍,從而得以潛入動物社群內(nèi)部,更以“人類思維闖入動物本能”的獨特視角,揭開一場充滿意外與溫情的野外探險。
北京遇上西雅圖之不二情書
湯唯,吳秀波,惠英紅,秦沛,吳彥姝,顏卓靈,王志文,陸毅,祖峰,王茜,劉志宏,張一白,艾麗婭,李燦森,陳創(chuàng),韓張焦嬌(湯唯 飾)15歲就來到了澳門,過著顛沛流離的生活,之后成為了賭場公關(guān)。羅大牛(吳秀波 飾)早年來到美國,一番摸爬滾打,如今已經(jīng)是小有名氣的加州房地產(chǎn)經(jīng)紀(jì)人,事業(yè)一帆風(fēng)順的他在情場上自然步步為贏,是公認(rèn)的鉆石王老五。 一本名為《查令十字街84號》的書讓這一對生活毫無交集的男女走到了一起,兩人通過電子郵件進(jìn)行交往,透過種種誤會和波折,最終發(fā)現(xiàn)彼此是自己的靈魂伴侶。在此期間,焦嬌徘徊在鄭義(陸毅 飾)、鄧先生(王志文 飾)和詩人(祖峰 飾)之間不知何去何從,而羅大牛則在同華裔老夫妻林平生(秦沛 飾)和唐秀懿(吳彥姝 飾)的交往當(dāng)中逐漸發(fā)現(xiàn)了人生的道義。
密室逃生2
泰勒·拉塞爾,洛根·米勒,霍蘭·羅登,茵蒂婭·摩爾,托馬斯·康奎爾,伊莎貝拉·弗爾曼,詹姆斯·弗萊恩,卡利托·奧利維羅,杰米-李·蒙尼,坦婭·范·格拉恩,阿維亞娜·亞伯拉罕好萊塢驚悚大片《密室逃生2》由《速度與激情》系列金牌制片人重磅打造,前作曾創(chuàng)下中國影史進(jìn)口驚悚片票房冠軍。續(xù)作在闖關(guān)難度和驚險刺激程度上全面升級,集結(jié)全球頂級玩家合力解鎖超高難度密室,開啟命懸一線的殘酷生存之戰(zhàn)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.