站起來，脫掉
由於黑幫老大普里莫萊斯他代表承諾作為開放的喜劇演員在他的地方，時尚的脫衣舞俱樂部PEARL前景嫌疑人查理（斯科特t;萊納上尉）其很大的機會。因為有了這份工作，他看到了實現(xiàn)一個成功的職業(yè)生涯，作為一個單口相聲演員，他的夢想終於拉近了許多。和工作，他喜歡在第一其實也挺優(yōu)秀的，因為查理提供充足的機會與輕松活潑的舞蹈，其中他非常認真地接受你的呼吸調(diào)情。但事情發(fā)生嚴重的轉(zhuǎn)彎時，犯罪所有者的最淫蕩的新娘，豚草（達尼伍德沃德），可以夾在作弊。也就是說，他們指責(zé)都不知情的查理，應(yīng)該引起足夠的不舒服的后果由他自己的。
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驚魂記1960
安東尼·博金斯,維拉·邁爾斯,約翰·加文,珍妮特·利,馬丁·鮑爾薩姆,約翰·麥克因泰,西蒙·奧克蘭,弗蘭克·艾伯森,帕特里夏·希區(qū)柯克,沃恩·泰勒,盧倫·塔特爾,約翰·安德森,莫特·米爾斯,吉特·卡森,維吉尼亞·格雷格,阿爾弗雷德·希區(qū)柯克,珍妮特·諾蘭,羅伯特·奧斯本,海倫·華萊士,Fletcher Allen,沃爾特·培根,弗朗西斯·德塞爾斯,喬治·多克斯塔德,喬治·埃爾德雷奇,哈珀·弗萊厄蒂,薩姆·弗林特,弗蘭克·基爾蒙德,泰德·奈特,帕特·麥卡弗里,漢斯-喬基姆·默比斯,弗雷德·謝威勒年輕的馬里恩·克蘭（珍妮特·利 飾）在Phoenix工作，深受老板洛厄里（沃恩·泰勒 飾）信任。男友薩姆·盧米斯（約翰·加文 飾）在Fairvale經(jīng)營一家五金店，因要替亡父還債又要支付前妻贍養(yǎng)費而無力再婚，只能借出差的機會偶爾來與馬里恩幽會。馬里恩對此感到不滿，于是在周五下午趁機攜四萬美元公款駕車潛逃?？墒邱R里恩的潛逃之路并不順利：先是在出城的時候被洛厄里目擊，周六一大早又被警察懷疑?；似甙倜涝耘f車換新車之后，馬里恩繼續(xù)忐忑地行駛。入夜后，天降大雨，視線模糊，無法行駛，馬里恩只得將車泊入路邊的貝茨汽車旅館投宿。老板諾爾曼（安東尼·珀金斯 飾）十分友善，試圖邀請馬里恩到家里共進晚餐，可惜被兇惡的母親粗暴阻止，只得將晚餐端至旅館客廳。馬里恩在客廳一邊進餐一邊與諾爾曼交談，終于決定周日返回Phoenix。用餐完畢，馬里恩回房沐浴。這時，一個老婦的身影突然出現(xiàn)在衛(wèi)生間……
死在那年夏天
吉拉育·拉翁馬尼,Suthatta Udomsilp,????????? ???????????,??? ???????????????,???????? ???????????喬伊是學(xué)校里公認的?；?，她擁有著美麗的面孔和優(yōu)越的身世，毫無疑問每日生活在幸福之中。然而某一日，這位集萬千寵愛于一身的可愛姑娘卻在社交網(wǎng)絡(luò)上留下了“我想死”的絕望信息。阿信是喬伊的男友，兩人之間感情十分要好，看到女友悶悶不樂的樣子，阿信決定同好友阿敢一起，帶著喬伊和她的閨蜜小敏前往海邊度假?！ ”娙吮疽詾?，這會是一場充滿了瘋狂和歡樂的旅程，然而，喬伊的慘死卻為這場派對蒙上了驚悚恐怖的陰影。余下的三人受到了不小的驚嚇，他們決定隱瞞整個死亡事件，希望生活能夠就此回歸平靜。不過顯現(xiàn)，喬伊的冤魂并不愿意放過他們。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
岳家小將
尋峰,魏巍,張安繼,劉衛(wèi)民,張希玲,黃駿,沈煒,崔月明,張恩宏,張成忠,孫花滿,張躍寧,王振田,蔣榮全,宋文華,宋萬熙,胡文麗,江錫榮公元1126年，北宋靖康元年。漠北女真人以4萬鐵騎入侵中原。由于太上皇宋徽宗的昏聵以及軍備疏散，金兵長驅(qū)直入，如入無人之境。一路燒殺搶掠，直攻到東京汴梁。城破之日，金兵虜徽、欽二帝，是為靖康之恥。此后欽宗之弟趙高繼位，是為高宗。一代英雄岳飛護佑高宗，被困牛頭山。為迫岳飛投降，金將兀術(shù)派二太子金彈子（張成忠 飾）、三公主銀鈴子（張希玲 飾）和張兆奴（張躍寧 飾）前去偷襲岳家莊，欲虜岳母以作要挾。岳飛之子岳云（尋峰 飾）自幼喜好舞槍弄棒，一雙銀錘使得風(fēng)生水起。他聞聽父親被困牛頭山，計劃偷偷前往助陣，卻被幾個兄弟掣肘。牛皋之子牛通（劉衛(wèi)民 飾）偶然遇見偽裝后的金彈子等人，無意中得知偷襲計劃，于是連忙趕往岳家莊報信。得知消息的岳家小將們整飭裝備，等待即將到來的一場大戰(zhàn)……
他人即地獄(日影)
八村倫太郎,柳俊太郎,岡田結(jié)實,三浦健人,青木さやか,大倉空人,萩原圣人,鈴木武,星耕介,濱津隆之,日比美思,松角洋平,大野泰廣「他人は地獄だ」は、地方から上京してきたユウが、不気味な入居者が暮らすシェアハウス「方舟」への入居をきっかけに、不可解な出來事が発生するサスペンスホラーだ。ヨンキ氏が描いたスリラー漫畫の舞臺を日本に置き換え、八村はユウ、柳は「方舟」のリーダー的存在のキリシマ、そしてユウの戀人?メグミを?qū)铯荬袱搿?/p>
這個男人來自地獄
肖恩·派特里克·弗蘭納里,喬丹·貝爾菲,小詹姆斯·希利,埃里克·漢森,斯特里奧·薩萬特,卡梅倫·阿內(nèi)特,賈瑞特·勒馬斯特,羅伯特·皮特斯,湯姆·歐默,薩拉·埃爾南德斯,蒂娜·托納,莫拉·科西尼,馬克·德亞歷山德羅,森約·阿莫庫,丹尼爾·馬丁·伯基在計劃被處決的當(dāng)天，一名被定罪的連環(huán)殺手接受了精神病評估。在評估期間，他聲稱自己是一個惡魔，并進一步聲稱，在評估時間結(jié)束之前，精神病學(xué)家自己將犯下三起謀殺案。Steve Deace所撰寫的宗教題材暢銷書A Nefarious Plot的前傳電影。