善良的岳母

　　樸信陽(yáng)飾演父親車勝道（音譯），李民基（李暋起）飾演潘神父（姓為音譯）?！　≡撈v述在為女兒舉辦葬禮的三天時(shí)間中，與寄生在死去女兒心臟中突然蘇醒的惡魔進(jìn)行斗爭(zhēng)的超自然電影。

　　Several years after a deadly struggle with her serial killer aunt, Jordan works to escape her troubled history. But when her aunt's revenge-seeking specter surfaces to join forces with a deranged convict, Jordan must return to the haunted town of Silver Falls for a final showdown with the ghosts of her past.

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　2029年，韓國(guó)載人飛船“探月號(hào)”出發(fā)前往月球，即將產(chǎn)生第二個(gè)成功登月的國(guó)家，任務(wù)備受全世界矚目。然而“探月號(hào)”不幸遇上太陽(yáng)黑子爆發(fā)所引致的太陽(yáng)風(fēng)暴，發(fā)生嚴(yán)重意外，宇航員黃善宇（都暻秀 飾）成為“探月號(hào)”的唯一幸存者。為了營(yíng)救流浪月球的黃善宇，隱居小白山天文臺(tái)的前載人飛船飛行總監(jiān)金載國(guó)（薛景求 飾），加入了救援行動(dòng)，同時(shí)韓國(guó)政府亦要求美國(guó)太空總署（NASA）的總監(jiān)尹文英（金喜愛(ài) 飾）及月球門戶太空站介入?yún)f(xié)助，但卻一直遇上重重阻撓。載人飛船的燃料將近耗盡，氧氣亦正在倒數(shù)，再加上流星雨撞擊與月震，被孤立在38.4萬(wàn)公里以外月球上的宇航員黃善宇，個(gè)人的一小步也足以令全球人類緊張屏息，到底營(yíng)救行動(dòng)會(huì)如何發(fā)展？