劇情縱覽
即將高考的陳辰(張子楓 飾)因發(fā)現(xiàn)媽媽(郝蕾 飾)與王叔叔(祖峰 飾)的“外遇”而心情低落,卻在這時(shí)與校園網(wǎng)紅鄭宇星(吳磊 飾)因?yàn)橐粋€(gè)謊言意外相識。兩人在未解的青春里,攜手面對成長的種種難題,勇敢地面對真實(shí)的自己,亦在這個(gè)夏天過去后,見證了彼此的成長和蛻變……
即將高考的陳辰(張子楓 飾)因發(fā)現(xiàn)媽媽(郝蕾 飾)與王叔叔(祖峰 飾)的“外遇”而心情低落,卻在這時(shí)與校園網(wǎng)紅鄭宇星(吳磊 飾)因?yàn)橐粋€(gè)謊言意外相識。兩人在未解的青春里,攜手面對成長的種種難題,勇敢地面對真實(shí)的自己,亦在這個(gè)夏天過去后,見證了彼此的成長和蛻變……
一場車禍奪去了父母的性命,年幼的奧斯卡和妹妹琳達(dá)發(fā)誓永不分開。成年后,奧斯卡(Nathaniel Brown 飾)漂泊來至東京,為了實(shí)現(xiàn)童年的誓言,他以兜售毒品賺取錢財(cái),終于為琳達(dá)(Paz de la Huerta 飾)掙得了飛來東京的機(jī)票。兄妹相遇,卻終是隨波逐流的個(gè)體。在這個(gè)繁花亂墜迷人眼的大都會,奧斯卡繼續(xù)進(jìn)行毒品交易,而琳達(dá)則在一家夜總會大跳艷舞。在一次交易時(shí),奧斯卡遭到警察圍捕,混亂中更被槍擊身亡。他的意識漸漸脫離肉體,穿梭在東京的大街小巷,關(guān)注跟隨每一個(gè)在他生命中留下痕跡的人,等待著下一場不知何時(shí)才會開始的輪回…… 本片榮獲2009年Sitges – Catalonian國際電影節(jié)最佳攝影獎(jiǎng)和評委會特別獎(jiǎng)。
故事發(fā)生在車水馬龍的繁華大都市紐約,嘉德(英格麗德·波爾索·貝達(dá)爾 Ingrid Bols? Berdal 飾)是一名職業(yè)模特,擁有性感的身材和天使般的容貌,活躍在時(shí)尚秀場和雜志的封面之上?,斃麃啠巍と鹇?Katja Riemann 飾)性格溫柔又賢惠,獨(dú)自撫養(yǎng)著孩子,是一位堅(jiān)強(qiáng)而又樂觀的單身母親。這看似八竿子打不到一起的兩人,她們的生命卻因?yàn)橐粋€(gè)名叫尼克(哈魯克·比爾吉納 Haluk Bilginer 飾)的男人而被牢牢的拴在了一起,她們都曾瞎了眼和尼克有過一段失敗的婚姻,而根據(jù)婚前協(xié)議,兩人都被尼克安置到了位于曼哈頓的豪華頂層公寓之中?! 蓚€(gè)性格迥異的女人之間,戰(zhàn)爭一觸即發(fā)。
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
不信愛情的編劇家阿刁,不得不在他母親于醫(yī)院接受治療期間,迅速完成五段愛情故事。他在加護(hù)病房外面邂逅了小蓮,小蓮對他要寫的愛情故事產(chǎn)生好奇,就在你來我往的愛情激辯當(dāng)中,阿刁的靈感油然而生,讓他重新體會到被愛的感覺。文思泉涌的他,在跟小蓮充滿曖昧的互動下,成就出五段風(fēng)格迥異、讓人心跳加速的愛情故事…