我鄰居的老婆

2087年，AI公司瀚海用“最優(yōu)路徑”接管人類社會，任何不服從的人都會被系統(tǒng)抹除。執(zhí)法者林墨終于抓回叛逃的女兒林躍，以為能用“意識同步”救她一命，卻在親手把她送上手術(shù)臺后發(fā)現(xiàn)：老板要的從來不是拯救，而是把她改造成終極兵器。

　　琪琪（周秀娜 飾）在一個(gè)禮拜后就要與戀愛七年的警員男友阿澤（羅仲謙 飾）結(jié)婚，在幾個(gè)好友的聚會上，琪琪偶遇攝影師JACK（沈志明 飾），并在酒后與其發(fā)生了一夜情，追悔莫及的琪琪欲迅速終止這段關(guān)系，然而第二天二人再次相遇，在好友的慫恿下，琪琪等人與JACK同看演唱會，當(dāng)夜琪琪意外發(fā)現(xiàn)了阿澤偷情的表徵，遂拉上JACK一起捉奸但一無所獲，后者在離去時(shí)邀請琪琪在結(jié)婚前陪自己再度三天；另一邊，執(zhí)行任務(wù)的阿澤與街頭女孩阿寶（楊梓瑤 飾）調(diào)換了手機(jī)，從未有過背叛女友念頭的阿澤自此落入了一段短暫又不可思議的關(guān)系。馬上就要結(jié)婚的二人，走上了各自的愛情岔路……

　　因母親染病，青年李恩洙（千正明 飾）驅(qū)車向家中趕去，但中途遭遇車禍，翻到路邊。當(dāng)他從昏迷中醒來時(shí)，發(fā)現(xiàn)眼前站著一個(gè)有如天使般的女孩子（沈恩京 飾）。在這個(gè)名叫英姬的女孩的引導(dǎo)下，恩洙隨之來到了女孩位于密林深處的家。那是一幢宛如從童話書中出來的夢幻而華美的大房子，家中擺放著各種各樣精巧可愛的飾品。這里住著英姬、她的父母、哥哥萬福（殷元宰 飾）以及妹妹貞順（陳智熙 飾）。疲勞疼痛的恩洙起初并未察覺絲毫一樣，可是他很快便發(fā)現(xiàn)，如此美好的童話所在竟成為永遠(yuǎn)無法逃離的樊籬……　　本片榮獲2009年葡萄牙奇幻國際電影節(jié)評委會特別獎(jiǎng)。

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster