環(huán)游世界秀肉

★ 4.8 播放：36萬 更新：2026-04-29

英文名：Jorden runt med Fanny Hill (1974) 在斯德哥爾摩，范妮;希爾是厭倦了做家庭主婦，她懷疑她的丈夫羅杰，誰包圍的小明星一個電視廣告導(dǎo)演，是在欺騙她。于是，她設(shè)置了他的陷阱與她的朋友莫妮卡，離婚文件和頭到好萊塢，與莫妮卡，以滿足電影明星。她落入一個電影事業(yè)，有很多L體場面，而且當(dāng)它把她從洛杉磯到香港，威尼斯，羅杰跟隨她，嫉妒，希望能贏得她的背。在每一個城市，她的行為和她引誘，使喜劇了兩個;但她的心臟仍然屬于羅杰？它是在慕尼黑找出來。 　　

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劇情簡介

英文名：Jorden runt med Fanny Hill (1974) 在斯德哥爾摩，范妮;希爾是厭倦了做家庭主婦，她懷疑她的丈夫羅杰，誰包圍的小明星一個電視廣告導(dǎo)演，是在欺騙她。于是，她設(shè)置了他的陷阱與她的朋友莫妮卡，離婚文件和頭到好萊塢，與莫妮卡，以滿足電影明星。她落入一個電影事業(yè)，有很多L體場面，而且當(dāng)它把她從洛杉磯到香港，威尼斯，羅杰跟隨她，嫉妒，希望能贏得她的背。在每一個城市，她的行為和她引誘，使喜劇了兩個;但她的心臟仍然屬于羅杰？它是在慕尼黑找出來。 　　

導(dǎo)演精選

別來這兒

在西班牙馬略卡島的一次旅行中，兩位年輕女子（吉爾和薇薇安）在一家偏僻的酒吧里遇到了一群歐洲游客。她們一起游覽了當(dāng)?shù)氐耐讲铰肪€，卻以薇薇安慘遭殺害而告終。友誼逐漸被猜忌和恐懼所取代，幸存者們開始努力找出潛伏在她們中間的兇手?！剪斂朔ü?/p>

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

15點17分，啟程巴黎

　　影片源自真實事件，講述2015年8月一列從阿姆斯特丹開往巴黎的高速列車上發(fā)生了恐怖襲擊事件，三位美國士兵挺身而出將歹徒制服的故事，電影將根據(jù)三位當(dāng)事人的回憶錄改編。