劇情縱覽
三大香港艷星主演,失業(yè)的資深話劇團(tuán)演員卿香(葉玉卿飾)和國內(nèi)舞蹈學(xué)生大丹(彭丹飾),均被;逝影劇團(tuán) ;招聘女舞蹈演員的廣告所吸引,毅然前往參加面試。為爭取加入劇團(tuán),兩人不惜各出其謀,但用力爭取的結(jié)果,卻換來許多離奇荒誕的經(jīng)歷,究竟這劇團(tuán)有何古怪?而這出舞臺劇又能否順利演出呢
三大香港艷星主演,失業(yè)的資深話劇團(tuán)演員卿香(葉玉卿飾)和國內(nèi)舞蹈學(xué)生大丹(彭丹飾),均被;逝影劇團(tuán) ;招聘女舞蹈演員的廣告所吸引,毅然前往參加面試。為爭取加入劇團(tuán),兩人不惜各出其謀,但用力爭取的結(jié)果,卻換來許多離奇荒誕的經(jīng)歷,究竟這劇團(tuán)有何古怪?而這出舞臺劇又能否順利演出呢
三大香港艷星主演,失業(yè)的資深話劇團(tuán)演員卿香(葉玉卿飾)和國內(nèi)舞蹈學(xué)生大丹(彭丹飾),均被;逝影劇團(tuán) ;招聘女舞蹈演員的廣告所吸引,毅然前往參加面試。為爭取加入劇團(tuán),兩人不惜各出其謀,但用力爭取的結(jié)果,卻換來許多離奇荒誕的經(jīng)歷,究竟這劇團(tuán)有何古怪?而這出舞臺劇又能否順利演出呢
《奇怪的末班車》高中生三上圭介結(jié)束了學(xué)校的社團(tuán)活動(dòng)已是深夜,他好不容易等來了末班車,車上的氣氛卻十分詭異;《同學(xué)會的通知》放棄了美大的夢想,女孩小山今日香正在參加補(bǔ)習(xí),某天她收到一通小學(xué)同學(xué)會的電話留言,于是和好友惠相約前往那個(gè)未知的所在;《惡夢十三日》人生正逢低谷的青年高崎圭太(向井理 飾)好不容易找到一份能夠提供宿舍的工作,可是他所在宿舍房間每到深夜2點(diǎn)就會傳來奇怪的聲音;《深淵迷路孩童》小女孩彩香(蘆田愛菜 飾)獨(dú)自住院,某天夜里她結(jié)識了自稱住在老樓的輪椅姐姐,兩人成了好朋友;《憤怒的紅寶石》寶石設(shè)計(jì)師川原美里受雇對一枚紅寶石進(jìn)行改造,結(jié)果遭遇了最為離奇的一段經(jīng)歷。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
1977年,在被軍事獨(dú)裁統(tǒng)治折磨的巴西,四十多歲的馬塞洛逃離了他混亂的過去,來到累西腓,希望在這里建立新的生活并與家人重修舊好。然而,他并未料到死亡威脅如影隨形,籠罩在他的頭頂。
上海的退休工程師老汪與兒子有一個(gè)約定,每周六小汪會回父母家一次,順便吃碗老汪拿手的菜肉餛飩。為了讓兒子早點(diǎn)結(jié)婚生子,老汪在愛人素娟的啟發(fā)下,決定自己去公園相親角為兒子物色一名婚戀對象。在相親角,老汪結(jié)識了老金、美琴、阿芳等人,自己也無意中卷入了一場始料未及的情感漩渦之中。