愛妻日記之煙之回憶

2.5 播放：88萬 2026-04-29

歌舞動(dòng)作

主演：木下ほうか田村

當(dāng)千穗想生小孩子時(shí)，她就禁止了她的丈夫高橋繼續(xù)抽煙。高橋沒有告訴他的妻子自己已被解雇，並且曾因?yàn)槁劦皆撁咧信畬W(xué)生所噴出的香煙味道，而刺激到他與該名學(xué)生發(fā)生了不道德的交易。那天晚上，千穗因聞到高橋身上那香煙的氣味而感到激動(dòng)，並使她想起了小時(shí) 候的一位年老親戚，曾以同一品牌的香煙塞入她的陰部的不快回憶。但事實(shí)上那記憶不是千穗的，而是她的雙胞胎姐妹可穗的…

在線看

同款熱播

血戰(zhàn)沙漠

邁克爾·C·威廉姆斯,喬·胡爾特拉斯,杰夫·普雷韋特,瓦內(nèi)莎·約翰遜,Chems-Eddine Zinoune,P. David Miller,Jonas Ball,Matthew R. Anderson,Sam Hunter,Kenny Taylor,Qzaibar Allal,Hammou Abaou,Rkia Chkaroll,Ibtihal Iataren,El Hayrani Lekbir

　　2001年11月，阿富汗加茲尼省。一支來自美國的特種部隊(duì)小分隊(duì)與CIA探員本杰明·凱恩斯（喬納斯·鮑爾 Jonas Ball 飾）在此碰頭，他們要在當(dāng)?shù)貙ふ乙粋€(gè)名叫莫罕默德?阿班的男人。在線人阿布爾（Chems-Eddine Zinoune 飾）的引導(dǎo)下，他們來到據(jù)說莫罕默德藏身的山區(qū)。這里流傳著恐怖的傳說，在半個(gè)多世紀(jì)前英國就曾有一支上萬人的部隊(duì)在此地憑空消失。從特種隊(duì)員踏入這片陌生領(lǐng)域的那一刻起，恐怖離奇的事件便如影隨形。隊(duì)員們接連失蹤，他們仿佛走入一條通往黑暗世界的不歸之路……　　本片榮獲2008年紐約恐怖電影節(jié)觀眾獎(jiǎng)最佳攝影獎(jiǎng)、2008年墨西哥圣塔菲電影節(jié)Milagro獎(jiǎng)最佳攝影獎(jiǎng)。

紅衣詭村之幻·謎

姚堯,車品孝,石稚昀,謝易真,李國麟,駱應(yīng)鈞

　　鄭家村，突然發(fā)生了一系列似怪異的事件。眾人來到鄭家老宅，鄭浩民在了解情況后，特邀請(qǐng)?jiān)?jīng)的同事，考古學(xué)教授張信安前來一同進(jìn)行科學(xué)調(diào)查。張信安等人來到鄭家村與鄭浩民等開展了一系列的調(diào)查工作。張信安在觀察了鄭家老宅后，從科學(xué)依據(jù)做出判斷，鄭家老宅四面環(huán)山傍水，陰濕氣重，在地理上形同一個(gè)低洼混區(qū)，導(dǎo)致磁場混亂，各種正常人感知不到的微弱電波無法散發(fā)。就在調(diào)查即將接近真相的時(shí)候，兩位教授遭受莫名攻擊，陷入可怕幻覺，導(dǎo)致兩人當(dāng)場昏迷。事態(tài)進(jìn)一步惡化，破開迷霧的重任壓在了韓斌和張紫涵這一對(duì)年輕戀人身上。韓斌在經(jīng)過一系列的詭異后終于找出緣由。

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster