十一天十一夜2

評分：3.0 播放：27萬 更新：2026-04-26
主演： Jessica Moore James Sutterfield Ale 

Gloria暫無內(nèi)容works暫無內(nèi)容as暫無內(nèi)容a暫無內(nèi)容top暫無內(nèi)容nude暫無內(nèi)容model暫無內(nèi)容and暫無內(nèi)容prostitute,暫無內(nèi)容but暫無內(nèi)容she暫無內(nèi)容has暫無內(nèi)容a暫無內(nèi)容secret.暫無內(nèi)容In暫無內(nèi)容reality暫無內(nèi)容she暫無內(nèi)容is暫無內(nèi)容writer暫無內(nèi)容and暫無內(nèi)容social暫無內(nèi)容critic暫無內(nèi)容Sarah暫無內(nèi)容Asproon暫無內(nèi)容researching暫無內(nèi)容her暫無內(nèi)容new暫無內(nèi)容book.暫無內(nèi)容Peter暫無內(nèi)容finds暫無內(nèi)容out暫無內(nèi)容and暫無內(nèi)容blackmails暫無內(nèi)容her暫無內(nèi)容by暫無內(nèi)容demanding暫無內(nèi)容sex暫無內(nèi)容for暫無內(nèi)容his暫無內(nèi)容silence.暫無內(nèi)容Meanwhile暫無內(nèi)容Sarah暫無內(nèi)容develops暫無內(nèi)容feelings暫無內(nèi)容for暫無內(nèi)容computer暫無內(nèi)容whiz暫無內(nèi)容Cliff,暫無內(nèi)容who暫無內(nèi)容struggles暫無內(nèi)容to暫無內(nèi)容resolve暫無內(nèi)容his暫無內(nèi)容own暫無內(nèi)容sexual暫無內(nèi)容orientation.

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最佳拍檔2：大顯神通

許冠杰,麥嘉,張艾嘉,倉田保昭,徐克,葉夏利,曹達(dá)華,黃百鳴,汪庭歡,祖迪文,域陀布烈,李家鼎,施明,韓國材,關(guān)淑怡

　　金剛（許冠杰 飾）成功降服白手襪之后，白手襪之兄黑手襪受黑手黨指派繼續(xù)交易鉆石并向金剛復(fù)仇，金剛與黑手襪的高級機(jī)器人大戰(zhàn)數(shù)合終于僥幸勝利，卻馬上又落入了牛牛、悠悠兄妹犯罪團(tuán)伙的騙局，卷入銀行搶劫案成為嫌犯，金剛逃亡路上將拍檔光頭神探（麥嘉 飾）與何東詩（張艾嘉 飾）的婚禮攪得一塌糊涂。所幸光頭神探義字當(dāng)先合力與金剛對抗牛牛、黑手襪，卻不料金剛再次被悠悠戲弄，光頭神探也只落得被嚴(yán)妻整治。最佳拍檔被牛牛團(tuán)伙脅迫，不得不出面搶奪鉆石，而黑手襪方面再次出動(dòng)高級機(jī)器人應(yīng)戰(zhàn)，早有準(zhǔn)備的金剛?cè)〕鰴C(jī)器人特工隊(duì)，混戰(zhàn)一觸即發(fā)……　　本片是最佳拍檔系列的第二集。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

孔雀舞曲

高我星,文相敏,卞約漢

影片根據(jù)樸玟奎的同名小說改編，講述相貌平平的女人和喜歡她的男人的成長故事。

不死之人

安東·迪夫倫,哈澤爾·考特,克里斯托弗·李

　　邦納博士計(jì)劃通過更年輕、更健康的人類受害者周期性的腺移植來永生。邦納看起來大約40歲，他真的104歲了。但是人們開始懷疑了，他可能不會(huì)到200歲。