劇情簡介
螺絲球性喜劇下列兩對夫婦和他們的十個規(guī)則，快樂健康，開放的關(guān)系。
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愛上平行時空的你
米拉·埃爾紹娃,尤里·納索諾夫,安東·瓦西利耶夫,柳德米拉·阿爾捷米娃,安東·阿爾特梅夫,埃爾尚·阿列斯克羅夫,納德茲達·伊萬諾娃,羅扎·哈伊魯林娜,瑪麗亞·克羅托娃,尤里·李,康斯坦丁·梅爾茲利金,葉夫根尼·塔庫耶夫艾莉莎搬進了圣彼得堡一間寬敞的公寓，公寓里的鏡子卻開始出現(xiàn)故障。它向這位年輕的房客展現(xiàn)了同一個公寓的平行世界，只不過，在這個平行世界里生活的不是艾麗莎，而是和她搶這間公寓的派對狂人伊萬。這兩位年輕人能否認清真愛？他們又能否讓兩個世界相連，在現(xiàn)實中相遇，只為簡單地觸碰彼此？
旅行的機器人
山寺宏一,林原惠美旅にはいつも出會いと別れがある。
四川好女人
何葦杭,趙若冰We don't see the woman on the train moving through Sichuan, just the trees, rivers, lakes and houses passing by the window, vanishing behind the blur of vegetation, segmented by the tunnels.
小婦人2019
西爾莎·羅南,艾瑪·沃森,弗洛倫絲·皮尤,伊萊扎·斯坎倫,勞拉·鄧恩,提莫西·查拉梅,梅麗爾·斯特里普,鮑勃·奧登科克,詹姆斯·諾頓,路易·加瑞爾,克里斯·庫珀,崔西·萊茨,艾比·奎因,薩莎·弗羅洛娃,莉莉·恩格勒特,愛德華德·弗萊徹,杰妮·霍蒂謝爾,多梅尼克·阿爾迪諾,湯姆·斯特拉特福,托馬斯·馬里亞諾,哈德莉·羅賓遜,杰米·加扎里安馬奇夫人（勞拉·鄧恩 Laura Dern 飾）有著四個如花似玉的女兒，大女兒梅格（艾瑪·沃森 Emma Watson 飾）擁 有著美麗的外表，和對于愛情的天真憧憬。二女兒喬（西爾莎·羅南 Saoirse Ronan 飾）滿腦子塞著古靈精怪的念頭，整天拿著蘸水筆東寫西寫，她的故事在全家上下都受到了熱烈的歡迎。三女兒艾米（佛羅倫斯·珀 Florence Pugh 飾）渴望成為一名畫家。最小的女兒貝斯（伊萊扎·斯坎倫 Eliza Scanlen 飾）雖然個性比起三個姐姐要來的內(nèi)向的多，卻擁有杰出的音樂天賦。在馬奇夫人的教導之下，四個姑娘漸漸成長為了擁有獨立人格的杰出女性，她們熱情、樂觀、善良，每個人都在各自的道路上堅強而又堅定的前進著。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
精靈寶可夢：冥王龍與冰空的花束雪米
松本梨香,大谷育江,豐口惠美,小櫻悅子,うえだゆうじ,林原惠美,三木真一郎,犬山犬子,小西克幸,山寺宏一,中川翔子,南明奈,中村獅童“反轉(zhuǎn)世界”是存在于這個世界內(nèi)部的鏡子般不可思議的世界。那個美麗而規(guī)則的世界，是騎拉帝納棲居的特殊空間。然而帝牙盧卡和帕路奇犽的戰(zhàn)斗造成了時空的扭曲，“反轉(zhuǎn)世界”也因此完全被陰霾籠罩。由于自己的世界被污染而被激怒的騎拉帝納找到了帝牙盧卡，并想將其拖入反轉(zhuǎn)世界中。 “現(xiàn)實世界”，在繼續(xù)旅行的小智和皮卡丘一行的面前出現(xiàn)了一個小小的，幾乎看不見的精靈。那是有“花媚”之稱的感謝神奇寶貝潔咪。被卷入帝牙盧卡和騎拉帝納的戰(zhàn)斗的潔咪在千鈞一發(fā)之際從反轉(zhuǎn)世界逃出。小智一行帶著精疲力竭的潔咪前往神奇寶貝中心。 潔咪用心電感應(yīng)將小智一行帶到了它的“葛拉西蒂亞花(グラシデア)花田”，并告訴他們在這“葛拉西蒂亞花”中隱藏著巨大的秘密。正準備離開神奇寶貝中心的小智等人遇到了前來捕捉潔咪的火箭隊。而與此同時，神奇寶貝中心外的裝飾品的鏡面上出現(xiàn)了“次元旋渦”，將火箭隊、潔咪連同小智一行人一起全部帶往了反轉(zhuǎn)世界。 從次元旋渦中脫出的小智一行人環(huán)顧四周，這里是倒立著一排排建筑物，空中處處漂浮著烏云的，廣大而不可思議的反轉(zhuǎn)世界。 就在這時，騎拉帝納突然出現(xiàn)，向潔咪發(fā)動攻擊。小智等人正要與騎拉帝納對抗，卻傳來制止之聲。說話者是名叫穆玄·葛雷斯藍多的學者，他告訴小智等人不可以讓騎拉帝納生氣。 正在小智一行在穆玄·葛雷斯藍多的幫助下向現(xiàn)實世界回返之時，企圖利用騎拉帝納的力量支配世界的，駕駛著高科技母艦“百萬力霸”的謎之青年，杰洛出現(xiàn)了。和潔咪一起繼續(xù)著探索花園之旅的小智一行沒能逃過杰洛的追蹤。 前所未有的冒險之旅的高潮，等待著你的是超越想像的“美麗奇跡”!
我愛777
舒淇,天心,譚耀文,楊恭如占士邦（譚耀文 飾）長得一表人才又頗具才干，是廣告行業(yè)內(nèi)出了名的花花公子。因為對感情缺少信任，年歲漸長的他依舊保持單身，在內(nèi)心里，他一直希望能夠出現(xiàn)一個“完美的女人”，捕獲他的真心?！ ∽罱?，占士邦在工作上遇到了點麻煩，他需要策劃一支啤酒廣告，卻苦于沒有靈感。就在這個節(jié)骨眼上，仿佛是上天賜給他的禮物，一個神秘的女子茱莉亞（舒淇 飾）出現(xiàn)在了占士邦的生活之中，只是，當占士邦開始注意到茱莉亞之時，她早已經(jīng)消失的無影無蹤。茱莉亞的冷艷與神秘帶給了占士邦靈感，工作上的問題迎刃而解，與此同時，占士邦亦對茱莉亞的真身產(chǎn)生了興趣。