感情線上
男歡女愛(ài)，雖然是一件很開(kāi)心的事，但當(dāng)意見(jiàn)不合時(shí)，當(dāng)初的一切纏綿，都會(huì)化為灰燼。故事講述一對(duì)男女，他們的感情既陌生又接近。他們不但很了解及深愛(ài)對(duì)方，同時(shí)亦完全占據(jù)了對(duì)方的身體。男的很喜歡植物，他對(duì)自己的花園很緊張，有一天，他發(fā)現(xiàn)花園被螞蟻侵占，穿了一個(gè)大的洞，便激動(dòng)地發(fā)怒。女的看見(jiàn)他這樣，恥笑他的行為。他也不甘示弱，向著女方的弱點(diǎn)攻擊，一場(chǎng)激烈的鬧戰(zhàn)一觸即發(fā)，究竟到最后他們會(huì)發(fā)展成怎樣？
即刻觀影
劇情賞析
編輯推薦
阿提克斯研究所
萊亞·吉斯特德,威廉·麥鮑瑟,莎朗·摩翰,約翰·魯賓斯坦,Hannah Cowley,Rob Kerkovich,杰拉爾德·麥卡洛克,Trisha Rae Stahl,朱麗安·阿科斯塔,Anton Narinskiy,阿隆·克拉文,安妮·貝坦克特,Karen E. Wright,Erich Lane,Brian Chenoweth20世紀(jì)50、60年代，亨利·韋斯特博士（威廉·麥鮑瑟 William Mapother 飾）創(chuàng)建了靈學(xué)實(shí)驗(yàn)室阿提克斯研究所，針對(duì)超能力、透視、讀心術(shù)、隔空取物等邊緣學(xué)科展開(kāi)研究。雖然遭遇了無(wú)數(shù)的挫折與嘲笑，但是韋斯特博士仍堅(jiān)持不懈朝著目標(biāo)前進(jìn)。1975年，他的實(shí)驗(yàn)室因某起騙局而被迫關(guān)閉，就在此時(shí)一個(gè)略顯神經(jīng)質(zhì)的女人朱迪思·溫斯黛德（萊亞·吉斯特德 Rya Kihlstedt 飾）被送到實(shí)驗(yàn)室。她之前因傷而擁有了超能力，而其看似貨真價(jià)實(shí)的超能力迅速令見(jiàn)多識(shí)廣的科學(xué)家們大為折服。在這一過(guò)程中，朱迪思的能力不斷加強(qiáng)，甚至已經(jīng)到了失控的程度。 這已遠(yuǎn)遠(yuǎn)超出了超能力的范疇，謎團(tuán)背后惡魔的身影時(shí)隱時(shí)現(xiàn)……
養(yǎng)鬼吃人8：地獄世界
蘭斯·亨利克森,凱瑟琳·溫妮克,克里斯托弗·賈科特,卡里·佩頓,亨利·卡維爾,維克多·麥奎爾,道格·布拉德利,Catalina Alexandru這部最新續(xù)集故事從五個(gè)年青的互聯(lián)網(wǎng)游戲者，接到一個(gè)神秘的邀請(qǐng)開(kāi)始，去參加一個(gè)名叫《地獄互聯(lián)網(wǎng)》站點(diǎn)的特殊聚會(huì)，不過(guò)他們沒(méi)有想到，那是一個(gè)恐怖的難以用言語(yǔ)表達(dá)的夜晚。。。全新特技、視覺(jué)效果，一個(gè)恐怖電影迷不能放過(guò)的片子?！ ∵@是一部全新而獨(dú)特的Hellraiser系列最新篇，大部分原班人員繼續(xù)上陣。和其它幾集比較來(lái)說(shuō)，表面看只是一出跟其它B級(jí)片沒(méi)兩樣，同樣灑狗血的電影，但Rick Bota在血和核突以外，還加上深入一點(diǎn)的人性探討。前幾集的故事主要跟家庭、人的欲望和惡行有關(guān)，結(jié)果令他們慘受地獄使者的騷擾，充滿冷色調(diào)的美術(shù)設(shè)計(jì)，令Clive Barker所營(yíng)造的世界，更見(jiàn)冷酷。
送葬人2023
那塔烏·桑亞布,察猜·欽西,Thanadon Buarabat,Nek Naruepol,Phuwanet Seechomphu,蒂提·斯里努亞爾,Siriamol Onkoon講述一名法學(xué)院畢業(yè)生喬德回到家鄉(xiāng)準(zhǔn)備司法考試，但做殯葬業(yè)的父親卻生病了，怕鬼的他只好硬著頭皮協(xié)助家業(yè)。而錫安因?yàn)闊o(wú)法接受前女友的死亡，想方設(shè)法希望能再跟她見(jiàn)上一面，因此來(lái)幫喬德的忙。究竟在這個(gè)生與死交會(huì)的地方，他們會(huì)遇見(jiàn)什么樣的故事呢？
哈姆奈特
杰西·巴克利,保羅·麥斯卡,喬·阿爾文,艾米麗·沃森,諾亞·尤佩,雅各比·尤佩,大衛(wèi)·威爾莫特,弗蕾婭·漢南-米爾斯,薩姆·伍爾夫,勞拉·蓋斯特,奧利維婭·萊恩斯,博德希·蕾·布里納希,菲絲·德拉尼,杰克·沙魯,艾略特·巴克斯特,扎克·威沙特,赫拉·吉布森,伊娃·威莎特影片改編自同名暢銷小說(shuō)，講述啟發(fā)莎士比亞最偉大的作品背后，那段不為人知的傳奇愛(ài)情故事。 威廉·莎士比亞（保羅·麥斯卡 Paul Mescal 飾）和妻子艾格尼絲（杰西·巴克利 Jessie Buckley 飾）11歲的兒子哈姆奈特染疫亡故，4年后莎士比亞以此為靈感，寫出了后世傳頌的《哈姆雷特》。
安妮·霍爾
伍迪·艾倫,黛安·基頓,托尼·羅伯茨,卡羅爾·凱恩,保羅·西蒙,謝莉·杜瓦爾,珍妮特·瑪戈林,科琳·杜赫斯特,克里斯托弗·沃肯,唐納德·賽明頓,瓊紐曼,馬丁羅森布拉特,亨澤爾,拉舍爾·諾維科芙,拉塞爾·霍頓,馬歇爾·麥克盧漢,瑪麗·博伊蘭,約翰·多馬尼安,波波·馬羅夫,Rick Petrucelli,克里斯·甘佩爾,迪克·卡維特,馬克·雷納德,約翰·格洛弗,約翰·丹尼斯·約翰斯頓,勞麗·伯德,杰夫·高布倫,查爾斯·萊文,Johnny Haymer,邁克爾·阿羅寧,Ved Bandhu,Jim McKrel喜劇演員艾維·辛格（伍迪·艾倫 Woody Allen 飾）是這樣一個(gè)人：非常介意自己的猶太人的出身；自認(rèn)為有童年陰影，看了十六年心理醫(yī)生沒(méi)見(jiàn)好轉(zhuǎn)卻一直付錢看；有點(diǎn)阿Q精神，但對(duì)人生卻充滿消極；喜歡一直講無(wú)聊的笑話。正因?yàn)樽陨淼纳窠?jīng)質(zhì)特質(zhì)，艾維經(jīng)歷了兩次失敗的婚姻。艾維 遇到了安妮（黛安·基頓 Diane Keaton 飾）――一直夢(mèng)想成為歌星的女孩，兩人漸漸墮入愛(ài)河。安妮在艾維的幫助下歌唱技巧迅速提高，但她的父母卻反對(duì)她與艾維來(lái)往。安妮得到了唱片商托尼的注意，獲邀前往好萊塢灌錄唱片，艾維跟著前往了好萊塢向安妮求婚。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.