瘋狂的果實(shí) 狂った果実 (1981)
瀧島家的兩兄弟年齡相仿，性格迥異。哥哥夏久（石原裕次郎 飾）風(fēng)流倜儻，浪蕩不羈；弟弟春次（津川雅彥 飾）則溫柔靦腆，內(nèi)向老實(shí)。某日，兄弟倆乘火車前往逗子度假，出站時(shí)遇見(jiàn)了美麗的少女天草惠梨（北原三枝 飾），春次登時(shí)為其所傾倒。不久，他們?cè)诔舜龊r(shí)再次邂逅游泳的惠梨，三個(gè)年輕人相談甚歡，春次最終鼓起勇氣邀請(qǐng)女孩參加他們的舞會(huì)?；堇媛畹奈枳顺蔀楫?dāng)晚的亮點(diǎn)，所有男孩都目瞪口呆，連夏久也心有所動(dòng)。又一天，夏久和一眾好友在俱樂(lè)部歌舞時(shí)，看見(jiàn)惠梨和外國(guó)人翩翩起舞。張揚(yáng)跋扈的他強(qiáng)吻惠梨，兩人糾纏在一起。從此，瀧島兄弟和同一女孩的關(guān)系變得愈加微妙……
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Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster