十三門徒

0.9 播放:81萬(wàn) 2026-05-03

為了探尋生命的奧秘,學(xué)者安東尼招募了十二位「門徒」到避世莊園一起進(jìn)行實(shí)驗(yàn)討倫哲學(xué)、和操演,然而過(guò)程愈發(fā)離奇及不可收拾,終極解答是否存在?而迎接他們的是否真為來(lái)生?抑或是地獄走一遭?

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同款熱播

夢(mèng)起云上

劉承林,李寶安,潘悅

八百里關(guān)中平原,一起商販和果農(nóng)的收購(gòu)沖突事件,促使兩個(gè)在外打拼的年輕人走在了一起,是素未蒙面的陌生人也是創(chuàng)業(yè)合作的歡喜冤家。在互聯(lián)網(wǎng)電商直播的浪潮下,他們和心懷希望的村民們擦出了神奇的火花,一起開啟了一段瘋狂的嘗試與冒險(xiǎn),踏上了共同致富的曼妙旅程。

曼谷保鏢2

Petchtai Wongkamlao,Tony Jaa

  ⊙《曼谷保鏢2》的故事:  影片故事講述拔泰王錦魯飾演的東南亞某小國(guó)特工翁坤,為了調(diào)查一伙恐怖份子,秘密潛入泰國(guó)曼谷執(zhí)行任務(wù),并化裝成為流行歌星,混入唱片公司追查。他老婆并不知道他的真實(shí)身份,因?yàn)槲汤な莻€(gè)十足的“妻管嚴(yán)”,但要命的是,他在泰國(guó)無(wú)可救藥愛上了一個(gè)漂亮美眉……與此同時(shí),恐怖份子也要發(fā)動(dòng)大規(guī)模襲擊了,翁坤如何能制止這場(chǎng)破壞?  ⊙《曼谷保鏢2》的看點(diǎn):  繼2005年大賣座的第一集之后,《曼谷保鏢》于今年拍出了續(xù)集,有“泰國(guó)周星馳”之稱泰國(guó)喜劇明星拔泰王錦魯繼續(xù)自編自導(dǎo)自演,繼續(xù)請(qǐng)來(lái)《拳霸》東尼·嘉參與演出。影片向周星馳、成龍電影偷了師,并且自己惡搞了《拳霸》《冬蔭功》等片,拔泰王錦魯(《拳霸》另一主演)演出非常出彩過(guò)癮。Tony Jaa則之是客串身份,在片中有一場(chǎng)打斗,另外自己還拿《冬蔭功》開涮,十分的“搞”。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

老人與貓

阿特·卡尼,艾倫·伯斯汀,勒內(nèi)·恩里克斯

 哈利( Art Carney 飾)是個(gè)退休教師,終其一生都在為妻女奮斗,住在紐約上西區(qū)的他,一直沒有為自己追求什么,當(dāng)政府為了興建停車場(chǎng)而決定拆除哈利的房子,他打包行李帶著他最忠心的好友 Tonto 一同展開了一場(chǎng)跨越美國(guó)的旅程,他沿途拜訪子女與多年好友,也因此結(jié)識(shí)了許多新朋友...本片由 Paul Mazursky 執(zhí)導(dǎo),獲得1974年奧斯卡最佳男主角與金球獎(jiǎng)喜劇音樂類影片最佳男主角。

網(wǎng)絡(luò)迷宮

克里斯多弗·蘭伯特,迭戈·阿巴坦托諾,斯特凡妮婭·羅卡

  2005年圣節(jié)前3天,電子游戲設(shè)計(jì)員米正在趕制全新游戲-極樂迷宮,準(zhǔn)備在圣誕日推出面大量發(fā)售.豈料異變突然發(fā)生,游戲里的主角蘇被病毒感染產(chǎn)生自主意志,厭倦了打打殺殺無(wú)限續(xù)局的殘酷生涯,要求杰米刪除游戲程式,另一邊廂,電腦集團(tuán)又派人催促杰米趕快交貨,進(jìn)退維谷的,他只好兵行險(xiǎn)著,策動(dòng)一場(chǎng)網(wǎng)絡(luò)革命……

黑暗之下

丹尼斯·奎德,托尼·奧勒,艾米·緹加登,斯蒂芬·朗斯福德

  After watching their best friend get murdered, a group of teens struggle to expose a local hero as the vicious killer and keep from becoming his next victims.