臨別射擊

★ 8.7 播放：25萬(wàn) 更新：2026-05-03
主演：Isild Le Besco 

對(duì)于片中女主角的傷人行為極不贊成，但聯(lián)想到那些槍擊案的兇手們，我們不禁要捫心自問(wèn)，自己的冷漠是否間接造就了悲劇的發(fā)生。有句話(huà)說(shuō)得好，冷漠是人類(lèi)最大的敵人。幸好，女主角走向的是救贖，而不是毀滅。

在線(xiàn)播放

劇情簡(jiǎn)介

對(duì)于片中女主角的傷人行為極不贊成，但聯(lián)想到那些槍擊案的兇手們，我們不禁要捫心自問(wèn)，自己的冷漠是否間接造就了悲劇的發(fā)生。有句話(huà)說(shuō)得好，冷漠是人類(lèi)最大的敵人。幸好，女主角走向的是救贖，而不是毀滅。

導(dǎo)演精選

朝圣

　　從小失去雙親的瑪麗娜18歲了，為了申請(qǐng)獎(jiǎng)學(xué)金，她必須離開(kāi)養(yǎng)父母，前往大西洋海岸，從她從未謀面的祖父母處獲得簽名。新姨媽、叔叔、堂親，她在眾多新家人間周旋，不確定自己是會(huì)被接納還是排斥。這段旅途喚醒了瑪麗娜塵封已久的情感，揭開(kāi)家族往昔的隱秘創(chuàng)傷，她由此拼湊起那些支離破碎、往往矛盾的記憶碎片，試圖重現(xiàn)她幾乎遺忘的父母身影。

她的重生

　　影片在舒緩的節(jié)奏下呈現(xiàn)了一位女性重塑自我之路，故事主人公安娜為她十幾歲時(shí)犯下的謀殺罪已經(jīng)服刑15年，雖然服刑期滿(mǎn)，但周?chē)悩拥难凵褚馕吨?對(duì)她的審判仍未結(jié)束。安娜離家遠(yuǎn)行來(lái)到一個(gè)小鎮(zhèn)并找到工作，準(zhǔn)備開(kāi)啟新生活，但她仍需與封閉、恐懼、偏見(jiàn)不停斗爭(zhēng)，那些舊日時(shí)光留下的黑洞，必須由她親自填補(bǔ)。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster