? 2.8 播放:96萬(wàn) 2026-04-26

在位于新瀉的田園鄉(xiāng)間,18歲的漂亮女孩shan瀨廣美(渡辺奈緒子 飾)結(jié)束了高中學(xué)業(yè),她和侽友英介攜手前往崬  京闖蕩。平日里廣美做著一份穩(wěn)定的機(jī)場(chǎng)地勤工作,但是她的心中始終懷有一個(gè)演員的夢(mèng)想。間或機(jī)緣,她在街頭邂逅了娛樂(lè)公司的經(jīng)紀(jì)人夏本正人(光石研 飾),不曾想對(duì)方竟是一家iV公司的負(fù)責(zé)人。經(jīng)過(guò)一番考慮,廣美決定以拒拍iV為底線,正式進(jìn)入這家公司。隨著極度誘惑的平面寫真的流行,廣美慢慢積攢著人氣,同時(shí)也遭到來(lái)自英介和家鄉(xiāng)好友的壓力。而在一過(guò)程中,她離那條底線也越來(lái)越近 hellip; hellip; 本片依據(jù)iV女星美廣(Mihiro)的自傳改編,美廣本人亦在片中出演了角色。   

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劇情提要

在位于新瀉的田園鄉(xiāng)間,18歲的漂亮女孩shan瀨廣美(渡辺奈緒子 飾)結(jié)束了高中學(xué)業(yè),她和侽友英介攜手前往崬  京闖蕩。平日里廣美做著一份穩(wěn)定的機(jī)場(chǎng)地勤工作,但是她的心中始終懷有一個(gè)演員的夢(mèng)想。間或機(jī)緣,她在街頭邂逅了娛樂(lè)公司的經(jīng)紀(jì)人夏本正人(光石研 飾),不曾想對(duì)方竟是一家iV公司的負(fù)責(zé)人。經(jīng)過(guò)一番考慮,廣美決定以拒拍iV為底線,正式進(jìn)入這家公司。隨著極度誘惑的平面寫真的流行,廣美慢慢積攢著人氣,同時(shí)也遭到來(lái)自英介和家鄉(xiāng)好友的壓力。而在一過(guò)程中,她離那條底線也越來(lái)越近 hellip; hellip; 本片依據(jù)iV女星美廣(Mihiro)的自傳改編,美廣本人亦在片中出演了角色。   

幕后花絮

清算

  黃浦江畔,殺機(jī)四伏,規(guī)則是否能由“她”重寫?刀光里是黑幫的血腥,陰影下是性別枷鎖的崩裂——多年銀幕未見之大女主暴力爽片。  臥龍幫少主武青青,家族遭戮,自身遭叛,從獵物化身獵手;她隱于暗處,每一張笑臉背后,都可能藏著致命的匕首,日本商會(huì)登堂入室,內(nèi)鬼隱匿于至親之間,無(wú)間道中再掀無(wú)間,信任是奢侈品,每一步都是懸崖!她將如何撕下那一張張?zhí)搨蚊婢撸考?,是叛幫之徒,是入侵之?dāng)?,還是枕邊之人?  風(fēng)暴已至,“除奸”成為唯一信條……

公寓2024

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.