監(jiān)禁工場
菜摘來到這工場的真正目的，是要打聽潛入工場尋找真相的未婚夫的下落。為了揭穿秘密工場的陰謀，拯救未婚夫，菜摘決定以自己的身體作賭注...身負(fù)巨額債務(wù)的菜摘被帶到一個(gè)不見天日的鋼鐵工場。自己生活無落，聽到父親病危，請假一月從南方回到北方。病床24小時(shí)陪護(hù)四十天，自己體力、經(jīng)濟(jì)條件已到極限，狠心離開。。。。。十天后，父親病故。真的不給我機(jī)會(huì)啊，老頭你對我有意見啊。而那地方，就是傳說中窩藏著那些社會(huì)重犯及非法移民的地下工場！菜摘被工場監(jiān)督安排與一組少女工作，在這里若有人觸犯規(guī)條，一律會(huì)被帶到監(jiān)督那里加以虐待凌辱，無一幸免！菜摘來到這工場的真正目的，是要打聽潛入工場尋找真相的未婚夫的下落。為了揭穿奧秘工場的陰謀，拯救未婚夫，菜摘決定以自己的身體作賭注...
即刻觀影
劇情賞析
編輯推薦
惡魔的耳語
盧卡·奧利爾15歲的艾利克斯來自一個(gè)天主教家庭，他希望自己將來能成為一個(gè)牧師。當(dāng)他無意中發(fā)現(xiàn)并打開了一個(gè)神秘的盒子之后，放出了一個(gè)一心要占據(jù)他身體的惡魔。艾利克斯必須找到辦法打敗這個(gè)一直在折磨兒童的古老的惡魔，否則將會(huì)毀掉他和所有他愛的人。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
最后的吸血鬼
工藤夕貴,中村佐恵美該片是押井守參與制作的一部動(dòng)畫電影。獲2002年斯圖加特國際動(dòng)畫電影節(jié)最佳長篇獎(jiǎng)，獲2001年日本文化廳文化廳MEDIA藝術(shù)祭動(dòng)畫大賞。1966年秋天，越南戰(zhàn)爭期間，在日本國內(nèi)的美國空軍橫田基地內(nèi)，不時(shí)可見F4幻影戰(zhàn)斗機(jī)頻繁起降，空氣中充斥著一股殺戮的氣氛；就在此時(shí)，基地附近的市區(qū)連續(xù)發(fā)生了離奇的命案。 地下鐵，銀座線，正駛著通往淺草的最后一班列車，一名少女出現(xiàn)在空蕩的車廂內(nèi)，她擁有令大人感到刺眼的眼神，緊閉著雙存欲訴說她內(nèi)心的真正意念，她的名字叫小夜(SAYA)；她是“組織”為了打倒?jié)摲谌祟惿鐣?huì)里的吸血鬼“翼手”，因而派遣至人類社會(huì)的救世主。 穿著水手服的小夜，手持日本武士刀作為武器，潛入了基地內(nèi)的美國學(xué)校。一柄冷血無情的武士刀，是她消除邪魔、保護(hù)人類的武器。而她身體里這一半的人性，可能就是她打敗敵人的秘訣……
蜜戀合租
孫志強(qiáng),徐海文,謝雨欣安諾軒辭高薪逐寫作夢，26歲遭男友陳強(qiáng)出軌并貶其夢想，分手后陷窘境。閨蜜幫她招租，曾被她所救、暗戀她的蘇梓橋借機(jī)合租。兩人磨合中漸生情，雖因誤會(huì)分開，安諾軒卻知心意。蘇梓橋助她入職，共退聯(lián)姻對象華清泫，獲蘇母認(rèn)可，婚后安諾軒寫作終成。
儀式殺手
科爾·豪瑟,摩根·弗里曼,Murielle Hilaire,Vernon Davis一名即將退休的偵探與一名非洲研究教授一起追查一名正在執(zhí)行古老黑魔法練習(xí) Muti 的連環(huán)殺手。
超級倉鼠3：松鼠奇謀
A little girl has secret superpowers but can’t use them when a highway project is threatening the nearby forest. Desperate to save it, she invents an elaborate lie about an endangered flying squirrel inhabiting the woods.