Jose與虎與魚們

? 8.6 播放：38萬 2026-04-28

某個(gè)清晨的街道，一個(gè)老婆婆失手讓推著的嬰兒車從斜坡滾下，這時(shí)，麻將館收工的恒夫（妻夫木聡飾）恰好路過，他上前查看，驚訝地發(fā)現(xiàn)嬰兒車?yán)锞谷挥袀€(gè)年紀(jì)不小的女孩子（池脇千鶴飾）！ nbsp; 　　原來，女孩子是老婆婆的孫女，從小雙腿殘疾，婆婆覺得丟人，就把她藏在家里，只在清早帶她出去散心。令恒夫驚訝的是，這個(gè)女孩子的身上不僅沒有流露脆弱或自卑，反而有些特別的地方：她燒得一手好菜，她讀各種各樣從垃圾里撿回的書，她自己給自己取名叫Jozee，她想著從黑市買Tokarev手槍自衛(wèi)，和恒夫出去逛街時(shí)，她無比眷戀地說想把天空的云彩帶回家?！‰m然恒夫已經(jīng)有了女朋友（上野樹里飾），他還是不知不覺被Jozee吸引過去　　

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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A special team of allied forces are sent to infiltrate a Nazi occupied bunker. When they arrive, they discover the scientific experiments that have been taking place there have turned everyone into super human, flesh eating zombies.

Jose與虎與魚們

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