同愛的自白

母親的皮下

第二次世界大戰(zhàn)期間，一個(gè)被困在菲律賓的年輕女孩發(fā)現(xiàn)，她保護(hù)她垂死的母親的責(zé)任，因?yàn)樗e(cuò)誤地信任一個(gè)迷人的食肉仙女而變得復(fù)雜。

鐵甲無(wú)敵瑪利亞

　　太陽(yáng)黨是一個(gè)恐怖組織，其首領(lǐng)救世主（林國(guó)斌 飾）善于開發(fā)戰(zhàn)爭(zhēng)機(jī)器人，他和女友瑪利亞（葉倩文 飾）經(jīng)常利用自己開發(fā)的機(jī)器人“先鋒一號(hào)”大肆破壞。由于“先鋒一號(hào)”威力強(qiáng)大，警方也常常束手無(wú)策。小徐原是英雄黨的一分子，后來(lái)對(duì)自己團(tuán)伙的所作所為深感不滿而在師傅的擔(dān)保下脫離了該組織。一次小徐在酒吧偶遇了專為警方開發(fā)戰(zhàn)爭(zhēng)機(jī)器人的專家阿毛（岑建勛 飾），兩人一見如故，成為了好朋友。豈料太陽(yáng)黨因此懷疑小徐出賣了自己，因此派出新研制的機(jī)器人——外形和瑪利亞一模一樣的“先鋒二號(hào)”追殺小徐；更糟糕的是，警方亦因此懷疑阿毛出賣了政府，因而同時(shí)派人前來(lái)捉捕他們。一對(duì)好兄弟，能否逃出生天？

死因無(wú)可疑

　　保險(xiǎn)經(jīng)紀(jì)人葉永信(陳家樂 飾)某天接到一通神秘來(lái)電，電話中的男子問自殺后多久可以拿到賠償，隨后他接到上司通知有客戶指定他去跟進(jìn)保單，葉上門拜訪時(shí)親眼目睹一個(gè)孩子吊死在屋中，他隨即認(rèn)定客戶為詐取保險(xiǎn)金而殺害兒子，決心暗中對(duì)朱重德(黃秋生 飾)和沈子玲(林嘉欣 飾)夫婦展開調(diào)查，恐嚇隨即接二連三發(fā)生在他及戀人文惠儀(湯怡 飾)身上，在又一起命案發(fā)生后，他愕然發(fā)覺事情和他的判斷并不一樣…

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

毛骨悚然撞鬼經(jīng) 2021特別篇

最后決戰(zhàn)

　　此片是盧貝松再影壇還沒沒無(wú)聞時(shí)，憑著一腔熱血，旺盛活力與爆發(fā)力， 突破一切傳統(tǒng)，掙脫一切商業(yè)機(jī)制下的樊籠，冒著無(wú)色彩，無(wú)對(duì)話，無(wú)明星等大諱所完成的電影。當(dāng)影片完成時(shí)，因宣傳無(wú)門，于是盧貝松帶著這部影片參加瑞士阿沃基影展，一舉拿下評(píng)審特別大獎(jiǎng)及影評(píng)人獎(jiǎng)，因而打開他的國(guó)際知名度。解剖核子戰(zhàn)后的文明廢墟，因?yàn)闊o(wú)色彩，所以這是一部黑白色調(diào)的電影。