西蒙娜

血屋之謎

莎菲拉是一名冉冉升起的新秀主持人，她有機(jī)會(huì)主持《Percaya Ngga Percaya》的重拍版。在研究舊錄像時(shí)，她發(fā)現(xiàn)了一盤(pán)未播出的錄像帶，上面寫(xiě)著“Rumah Darah”，這導(dǎo)致令人不安的超自然事件威脅到她的生命。在調(diào)查 Rumah Darah 背后的秘密時(shí)，她發(fā)現(xiàn)了過(guò)去的黑暗秘密，這些秘密使她的靈魂處于危險(xiǎn)之中。

致命錄像帶

　　蓋里（Calvin Reeder 飾）、扎克（Lane Hughes 飾）等人是一伙無(wú)惡不作的不法之徒，某天他們接到委托，要闖入某戶人家偷取一盒神秘的錄像帶。空空蕩蕩的大房子里，只有一個(gè)死去的老人坐在電視機(jī)前。他們無(wú)所顧忌，播放了那盤(pán)錄像帶：第一段視頻中，一群年輕人帶著針頭攝像頭去夜店狂歡把妹，卻遭遇一名奪命妖妹；一對(duì)旅行中的情侶入住Motel，期間他們偶遇一名請(qǐng)求搭車(chē)的女子，夜晚更有人潛入他們的房間，厄運(yùn)降臨；兩男兩女驅(qū)車(chē)去林區(qū)度假，卻遭遇兇殘的殺手；一對(duì)網(wǎng)絡(luò)情侶通過(guò)視頻聊天，女子聲稱(chēng)經(jīng)常在家中聽(tīng)到奇怪的聲響。鏡頭前，一幕幕恐怖畫(huà)面接連上演。萬(wàn)圣節(jié)，幾名男子以外遭遇了神秘而殘酷的儀式，他們介入其中，自己的命運(yùn)也發(fā)生改變。　　錄像帶結(jié)束，恐怖故事卻剛剛來(lái)開(kāi)序幕……

愿者安息

　　Cemal, a lonely hearse driver, has to transport the body of a young woman who has been murdered to her parents' home. During the trip, however, the body comes to life and when he sees her, Cemal falls in love with the undead woman. This is when he begins to commit murders in order to feed her, even if it means having to deal with the police's attempts to capture a serial killer.

急轉(zhuǎn)直下

　　莫琳·達(dá)巴格是一位母親，當(dāng)她的前夫綁架了他們的小女兒阿米娜并消失在中東時(shí)，她的世界崩潰了。絕望而無(wú)情的莫琳與羅伯森合作，羅伯森是一名經(jīng)驗(yàn)豐富的前海軍陸戰(zhàn)隊(duì)員，也是兒童綁架案件的專(zhuān)家。這部電影以貝魯特動(dòng)蕩的背景為背景，講述了莫琳和羅伯遜陷入一個(gè)充滿國(guó)際間諜、腐敗和背叛的陰暗世界。隨著時(shí)間的流逝，風(fēng)險(xiǎn)高得不可思議，莫琳必須在與時(shí)間的賽跑中面對(duì)不可能的選擇。本片是一段緊張而感性的旅程，探索了一位母親為拯救孩子所做的努力，即使她在每個(gè)轉(zhuǎn)折點(diǎn)都面臨著隱藏的危險(xiǎn)。

時(shí)光插班生

我能有個(gè)見(jiàn)證人嗎

　　Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth.　　With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50.　　Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned.　　Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.