劇情縱覽
貴州女子王桂香(廖琴暫無內(nèi)容飾)和丈夫在北京辛苦打工,誰知一場意外打亂了他們不算富裕卻還平靜的生活。丈夫與人口角,因打傷別人的眼睛而鋃鐺入獄。失去經(jīng)濟(jì)來源的桂香萬般無奈,只得帶著3歲的回到家鄉(xiāng)。為了籌措保釋金,桂香想盡辦法籌錢。最終他在老情人的指點下,成為一名專門在葬禮上哭喪的職業(yè)喪殯人員。
貴州女子王桂香(廖琴暫無內(nèi)容飾)和丈夫在北京辛苦打工,誰知一場意外打亂了他們不算富裕卻還平靜的生活。丈夫與人口角,因打傷別人的眼睛而鋃鐺入獄。失去經(jīng)濟(jì)來源的桂香萬般無奈,只得帶著3歲的回到家鄉(xiāng)。為了籌措保釋金,桂香想盡辦法籌錢。最終他在老情人的指點下,成為一名專門在葬禮上哭喪的職業(yè)喪殯人員。
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
一名男子在郊區(qū)一間空蕩蕩的房子里醒來,沒有記憶,手臂上沾著血跡。當(dāng)他瘋狂地洗掉血跡時,他發(fā)現(xiàn)那不是他的。他在房子周圍發(fā)現(xiàn)了一些便利貼,上面寫著:“不要呆在這個房間里。”“別出去。”“別下樓。”他感到困惑,試圖追蹤這些神秘的信息,最終發(fā)現(xiàn)了兩件事。他與母親和女兒的記憶有某種聯(lián)系,還有住在這所郊區(qū)房子里的惡魔。當(dāng)他越來越接近解開他為什么在那里的謎團(tuán)時,惡魔變得越來越強大,考驗著他的生存意志。
韓國首爾某個平凡的早上,廣播電臺Daily Topic節(jié)目的主持人尹英華(河正宇 飾)正就稅率改革與聽眾進(jìn)行連線,這時一個自稱住在首爾昌信洞的普通工人樸魯圭打入電話,大肆抱怨超高的電費和相關(guān)部門對他的威脅。尹英華頗不耐煩,以偏離主題為由強行切斷電話。誰知連線無法單方面由電臺方面中斷,憤怒的樸魯圭繼續(xù)抱怨,并揚言炸掉漢江大橋。尹英華不以為然,進(jìn)而慫恿對方想做就做,誰知話音剛落,窗外的麻浦大橋便炸作廢墟。大驚失色的尹英華很快冷靜下來,他決定利用這次難得的機會打一次事業(yè)的翻身仗。在他的主持下,針對恐怖分子的連線直播就此展開,無關(guān)良知的節(jié)目拉開帷幕……
人人都中頭獎,難道人人都想中頭獎?九十年代伊拉克經(jīng)歷軍事及經(jīng)濟(jì)制裁,獨裁者薩達(dá)姆無懼動亂,勒令全國為自己慶祝生日。九歲女孩「喜獲頭獎」成為學(xué)校代表,被迫接下為總統(tǒng)炮制生日蛋糕的國家級重任。然而通貨膨脹、物資匱乏,雞蛋面粉都是奢侈品,女孩帶著寵物公雞,從沼澤向城市出發(fā)搜羅食材,完成這項國家交給她的任務(wù)!首有伊拉克電影進(jìn)軍戛納,編導(dǎo)借小女孩充滿稚氣卻堅韌的目光,展現(xiàn)伊拉克從未被記錄過的一面,獻(xiàn)給在戰(zhàn)亂下仍能找到愛與友誼的小孩。戛納電影節(jié)金攝像機最佳首作。