德川女刑罰繪卷牛裂之刑

? 1.3 播放：31萬(wàn) 2026-05-05

影片講述德川時(shí)期發(fā)生的兩個(gè)殘酷故事： 牛裂篇：長(zhǎng)崎當(dāng)?shù)毓賳T高坂主膳（汐路章 飾）殘暴成性，發(fā)明各種酷刑迫害基督教徒。在官府奉職的佐佐木伊織（風(fēng)戶(hù)佑介 飾）與女孩登世（內(nèi)村レナ 飾）相愛(ài)，然登世一家為基督徒，不久也被抓進(jìn)官府。登世父母不堪折磨，相繼慘死，妹妹亦被燙瞎雙眼。得知內(nèi)情的高坂有意在伊織面前侮辱登世，并將其霸占，令二人痛苦不已。一年后，淪為浪人的伊織帶登世逃跑，途中伊織被高坂殺害，登世則因通奸罪遭受了殘酷的牛裂之刑。 鋸刑篇：貪圖享樂(lè)的舍藏（川谷拓三 飾）逛青樓無(wú)錢(qián)付帳，被逼做工償還，期間目睹了妓女們所遭受的種種折磨。舍藏?zé)o法繼續(xù)忍受，偕相好的妓女大里（橘麻紀(jì) 飾）逃亡，靠;仙人跳 為生，中間鬧出不少笑話(huà)。后二人被官府捉拿，遭受一系列痛苦刑法 　

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劇情提要

影片講述德川時(shí)期發(fā)生的兩個(gè)殘酷故事： 牛裂篇：長(zhǎng)崎當(dāng)?shù)毓賳T高坂主膳（汐路章 飾）殘暴成性，發(fā)明各種酷刑迫害基督教徒。在官府奉職的佐佐木伊織（風(fēng)戶(hù)佑介 飾）與女孩登世（內(nèi)村レナ 飾）相愛(ài)，然登世一家為基督徒，不久也被抓進(jìn)官府。登世父母不堪折磨，相繼慘死，妹妹亦被燙瞎雙眼。得知內(nèi)情的高坂有意在伊織面前侮辱登世，并將其霸占，令二人痛苦不已。一年后，淪為浪人的伊織帶登世逃跑，途中伊織被高坂殺害，登世則因通奸罪遭受了殘酷的牛裂之刑。 鋸刑篇：貪圖享樂(lè)的舍藏（川谷拓三 飾）逛青樓無(wú)錢(qián)付帳，被逼做工償還，期間目睹了妓女們所遭受的種種折磨。舍藏?zé)o法繼續(xù)忍受，偕相好的妓女大里（橘麻紀(jì) 飾）逃亡，靠;仙人跳 為生，中間鬧出不少笑話(huà)。后二人被官府捉拿，遭受一系列痛苦刑法 　

幕后花絮

咸魚(yú)翻生

　　俠盜“一枝花”專(zhuān)劫富濟(jì)貧故為人欽佩，卻因正義感得罪了一名蛇蝎美人，該女子名叫“仇女”雖嫁與一土豪“孤寒財(cái)主”為妾但始終不忘被“一枝花”所辱，誓必要將“一枝花”置于死地。“一枝花”浪跡江湖，但“仇女”并未因而放過(guò)他，反而更誣造許多盜竊案令官方大舉追緝之。其時(shí)江湖上出現(xiàn)兩個(gè)小人物，一肥一瘦，肥名“脹爆”為人憨直，因仰慕“一枝花”而喜扮大俠，瘦名“扭紋柴”常自作聰明經(jīng)常撞板，喜占小便宜，為了官方之花紅到處找尋“一枝花”，而偶遇上“脹爆”后來(lái)反成莫逆之交，兩人更結(jié)伴一同尋找“一枝花”……

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster