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錯體姻緣
莫少聰,翁虹,午馬乾隆年間國泰民安，百姓安居樂業(yè)欣欣向榮過的是好不快活。 皇上在御前侍衛(wèi)高迪的陪同下前往江南體恤民情。在皇上出宮后一長陰謀正在展開，一位野心勃勃的王爺竟然暗地與當(dāng)?shù)睾趲凸唇Y(jié)一路追殺皇帝?！ ≡谇巴葜莩堑穆飞嫌錾狭藦木┏翘踊殡x家的野蠻格格賈仁。經(jīng)過一場“惡斗”后三人決定一同上路，在惠州城的集市遇到了在集市中擺擂臺的“洋鬼子”元宵。元宵在比試中輸給了賈仁格格執(zhí)意要讓賈仁格格收他為徒。三人想盡辦法卻無法擺脫元宵，無奈只能收下元宵為徒。半夜在惠州城的某客棧，突然出現(xiàn)蒙面黑衣人刺殺皇帝，還好刺客技藝不精，皇帝沒有受到半點傷害。高迪決定四人連夜趕往他的老家避難。 在高迪家中，皇上遇到高迪的表妹惠喬，皇上對惠喬一見傾心，賈仁格格也慢慢的愛上了那個英俊風(fēng)流的侍衛(wèi)高迪。賈仁格格與元宵在回家的路上遇到一對奇丑無比的戀人。兩人因為相貌丑陋所以年過四十還沒成家。善良的賈仁格格便與眾人一起幫助這對苦命鴛鴦籌辦婚禮，終于讓這對苦命戀人有情人終成眷屬?；噬吓c惠喬，高迪與賈仁在這段日子感情也逐漸升溫。豈料此時皇上與惠喬被蜻蜓幫綁架，高迪與賈仁心急如焚，托朋友四處打聽皇上與惠喬的下落?！ 〗壖芑噬系恼球唑褞偷膸椭鞣蛉爽帲伺艘苍?jīng)是皇上的愛人，當(dāng)年為了皇帝背叛幫會。由愛生恨，此女對皇上當(dāng)年棄之不顧的事耿耿與懷。但是在與皇帝相處的這段日子里舊情復(fù)燃并偷偷的通知高迪皇帝被囚禁之處?！ ≡谂c眾人的幫助下高迪終于找到了皇帝的所在，但在這個時候元宵露出了狐貍尾巴，眾人沒有想到元宵竟然是蜻蜓幫的人，在這個關(guān)鍵時候元宵倒戈相向。所幸的是元宵的背叛并沒有個給大家?guī)硎裁绰闊?，最后還是將皇帝從蜻蜓幫的魔爪之中救出。通過這次危難四人的感情更是牢固，最后成就了這一段錯體姻緣。
空氣之魂，云之精靈
Michael Lake,Melissa Davis,Norman Boyd,Rhys Davis非常棒的超現(xiàn)實科幻片,與
感染她嘴唇的欲望2025
鵜川もえか,渡邉結(jié)衣,原田英里佳,新嘉喜由芽本片改編自寄田みゆき創(chuàng)作的同名漫畫。伊藤早奈是一個可愛的女高中生，生活充滿了快樂，但從未體驗過戀愛的感覺。因為車禍住院的早奈，在醫(yī)院里被一個非常漂亮的女生吸引了。于是，一段青澀甜蜜的戀愛開始了！
看不見的守護(hù)者
瑪爾塔·埃圖拉,埃爾薇拉·明戈斯,Patricia López西班牙驚悚片。根據(jù)西班牙懸疑推理小說家多洛蕾絲·雷東多的代表作巴斯坦三部曲之《隱形守護(hù)者》，這是近年來西班牙最轟動的犯罪懸疑小說，比《沉默的羔羊》《犯罪心理》更驚悚，已經(jīng)高踞西班牙暢銷書排行榜長達(dá)三年之久，講述巴斯克地區(qū)的一起連環(huán)殺人案。一名曾受過聯(lián)邦調(diào)查局訓(xùn)練的警察回到位于納瓦拉的家鄉(xiāng)，追捕一名專以當(dāng)?shù)厍嗌倌隇槟繕?biāo)的殺手，還得面對自己過去的心理創(chuàng)
近戰(zhàn)
杜夫·龍格爾,吉娜·梅,邁克爾·帕爾,巴沙爾·拉海爾,詹姆斯·查爾克身陷囹圄的特種兵麥克（杜夫·龍格爾 Dolph Lundgren 飾）終于迎來了被保釋的那一天，然而，令麥克沒有想到的是，保釋他的不是別人，居然是美國大使館的官員克萊夫（邁克爾·帕爾 Michael Paré 飾）。原來，有一項充滿了危險和變數(shù)的任務(wù)擺在眼前，而身經(jīng)百戰(zhàn)經(jīng)驗豐富的麥克則是這項任務(wù)最合適的執(zhí)行者?！ 「鶕?jù)提示，麥克需要去營救一位名叫安娜（吉娜·瑪麗 Gina Marie 飾）的女子，安娜遭到了武裝綁架，有可能被敵方洗了腦。而當(dāng)麥克找到安娜時，安娜卻告訴麥克她被綁架一說是子虛烏有，而麥克要將她帶走的行為才是真正的綁架。安娜和克萊夫之間，一定有一個人在說謊，沒過多久，陷入了困惑之中麥克就發(fā)現(xiàn)，他和安娜已經(jīng)成為了眾矢之的。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.