人妻收集者

★ 8.5 播放：75萬 更新：2026-04-23

年輕俊朗的出租車司機(jī)（野仲功 飾）過著壓抑無聊的單身生活，他的性格孤僻偏執(zhí)，經(jīng)常在車中播放喧鬧的音樂，與乘客和同事的關(guān)系都很緊張。在極端的壓力下，他只能通過變態(tài)的手段獲得釋放。他會(huì)將搭載的女性迷倒，然后施以侮辱，并在這一過程中錄像保存。這些女性只能含羞吞下這枚苦果，然而有一個(gè)女子與眾不同。她（小川美那子 飾）是一個(gè)家庭主婦，與丈夫和妹妹美咲（竹田直子 飾）住在一起。一向賢良溫淑的她在遭受出租車司機(jī)侮辱后，竟然對(duì)性事變得異常感興趣，并且漸漸偏向極端。她經(jīng)常在夜間背著丈夫外出尋歡，偏偏司機(jī)又對(duì)這個(gè)主婦剎那間的妖嬈無法忘懷。 兩個(gè)畸零之人再次相遇，卻注定是一段悲劇的開始 

在線播放

劇情簡(jiǎn)介

年輕俊朗的出租車司機(jī)（野仲功 飾）過著壓抑無聊的單身生活，他的性格孤僻偏執(zhí)，經(jīng)常在車中播放喧鬧的音樂，與乘客和同事的關(guān)系都很緊張。在極端的壓力下，他只能通過變態(tài)的手段獲得釋放。他會(huì)將搭載的女性迷倒，然后施以侮辱，并在這一過程中錄像保存。這些女性只能含羞吞下這枚苦果，然而有一個(gè)女子與眾不同。她（小川美那子 飾）是一個(gè)家庭主婦，與丈夫和妹妹美咲（竹田直子 飾）住在一起。一向賢良溫淑的她在遭受出租車司機(jī)侮辱后，竟然對(duì)性事變得異常感興趣，并且漸漸偏向極端。她經(jīng)常在夜間背著丈夫外出尋歡，偏偏司機(jī)又對(duì)這個(gè)主婦剎那間的妖嬈無法忘懷。 兩個(gè)畸零之人再次相遇，卻注定是一段悲劇的開始 

導(dǎo)演精選

內(nèi)幕2025

香港著名慈善基金會(huì)晚宴現(xiàn)場(chǎng)，財(cái)務(wù)總監(jiān)楊滔（任達(dá)華 飾）離奇吊死在會(huì)場(chǎng)，疑云籠罩之下，兩億善款也不翼而飛！“良知律師”馬迎風(fēng)（郭富城 飾）與“玩咖警長(zhǎng)”柯定邦（吳鎮(zhèn)宇 飾）意外被卷入其中，隨著二人調(diào)查不斷深入，慈善表象之下的駭人罪惡也接連現(xiàn)形——操縱司法、買兇殺人、走私販毒、勾結(jié)境外勢(shì)力……善意變生意，民眾的捐款竟淪為黑惡組織的血包！楊滔之死的真相到底是什么？他們能否將所有內(nèi)幕公之于眾，還社會(huì)以公道？

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

來點(diǎn)茶泡飯如何

　　標(biāo)題中的「ぶぶ漬け（お茶漬け）どうどす」是一句眾所周知的京都表達(dá)，京都人常用這句話以委婉的方式傳達(dá)「差不多該告辭了」的意思。電影《ぶぶ漬けどうどす》以此為主題，展現(xiàn)了因京都特有的縣民性而引發(fā)的各種鬧劇，并展開了一段充滿喜劇色彩的故事。影片以從東京嫁到京都老字號(hào)扇子店的自由撰稿人澁澤まどか為主人公，描繪了〈京都人〉與從東京而來的〈外地人〉之間的攻防與沖突。