劇情縱覽
影片的主人公是一名二戰(zhàn)英雄,戰(zhàn)后來到一座西部利亞小城當(dāng)起了火車司機。真正給他們帶來的極大的肉體和心靈的創(chuàng)傷,英雄們于是將火車視為膜拜的對象,瘋狂的追求提升火車的速度。人和車似乎已經(jīng)不分你我。英雄們就在這片西伯利亞叢林中,開始了一場不顧生命安全的火車競速比賽。
影片的主人公是一名二戰(zhàn)英雄,戰(zhàn)后來到一座西部利亞小城當(dāng)起了火車司機。真正給他們帶來的極大的肉體和心靈的創(chuàng)傷,英雄們于是將火車視為膜拜的對象,瘋狂的追求提升火車的速度。人和車似乎已經(jīng)不分你我。英雄們就在這片西伯利亞叢林中,開始了一場不顧生命安全的火車競速比賽。
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
窮途末路的天才少年劉全龍(彭昱暢 飾),被偏執(zhí)富家公子陳倫(丁禹兮 飾)選中,被迫踏入一場為他量身打造的“換命游戲”。豪華別墅、名車名表、神秘女友全部備齊,在陳倫的精心打造下,劉全龍瞬間擁有頂配人生。這場表面上各取所需的交易,暗地里卻殺機漸起。當(dāng)眾星捧月的快感喂大了野心,貪婪的目光開始盯上原主擁有的一切,那個曾經(jīng)溫順的“獵物”,開始在暗處亮出獠牙,而掌控一切的“獵人”似乎也早有籌謀。無名的尸體、操控與反噬、扮演與沉淪,這場游戲里,究竟是誰在控制誰?
The Anti-Monitor (the Monitor's evil counterpart) is released in the DC Multiverse and begins to destroy the different Earths huo87.com that compose it. The Monitor attempts to recruit heroes from across the Multiverse, but is murdered.
故事圍繞緝毒警察何光辰(鄭楚一飾)追查“將軍”販毒集團(tuán)展開。一群“鬼面”狂徒黑吃黑劫走毒品,而幕后主使竟是何光辰的警校摯友(鄒兆龍飾),兩人從并肩立誓到正邪對立,上演刺刀見紅的生死博弈。劇情通過血腥動作場面和兄弟反目的人性掙扎,揭露黑惡勢力真相,最終將罪惡繩之以法。