情欲電影院
名為“family”的這家電影院整日放映色情電影，馬伊達(dá)一家經(jīng)營(yíng)著電影院也住在電影院里。影院的放映廳以及走廊上每日都聚集著同性戀者、娼妓和雞奸者。馬伊達(dá)的父親有了外遇并且有了私生子，母親弗羅傷心至極，為此事上法院結(jié)果是敗訴。收養(yǎng)來(lái)的弟弟阿蘭使女友梅麗懷孕了，別無(wú)他法的他們只得商量著結(jié)婚的事宜。而她的妹妹杰瑞爾整日無(wú)所事事在影院當(dāng)檢票員。舅舅羅納爾德舉止像個(gè)女人，卻娶妻生子。丈夫蘭多負(fù)責(zé)家中瑣事，接送孩子約納斯上下學(xué)。一日正值放映電影時(shí)放映廳闖進(jìn)一只羊，眾人將之趕了出去，母親弗羅念才念叨道電影院是該修整的時(shí)候了.......
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劇情簡(jiǎn)介
名為“family”的這家電影院整日放映色情電影，馬伊達(dá)一家經(jīng)營(yíng)著電影院也住在電影院里。影院的放映廳以及走廊上每日都聚集著同性戀者、娼妓和雞奸者。馬伊達(dá)的父親有了外遇并且有了私生子，母親弗羅傷心至極，為此事上法院結(jié)果是敗訴。收養(yǎng)來(lái)的弟弟阿蘭使女友梅麗懷孕了，別無(wú)他法的他們只得商量著結(jié)婚的事宜。而她的妹妹杰瑞爾整日無(wú)所事事在影院當(dāng)檢票員。舅舅羅納爾德舉止像個(gè)女人，卻娶妻生子。丈夫蘭多負(fù)責(zé)家中瑣事，接送孩子約納斯上下學(xué)。一日正值放映電影時(shí)放映廳闖進(jìn)一只羊，眾人將之趕了出去，母親弗羅念才念叨道電影院是該修整的時(shí)候了.......
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刺殺小說(shuō)家2
鄧超,董子健,雷佳音,王圣迪,丁程鑫,王彥霖,鄧飛,張震,辛芷蕾,郭京飛,常遠(yuǎn)浪浪人生
黃渤,范丞丞,殷桃,常遠(yuǎn),李嘉琦,劉雪華,付航,孫藝洲,張本煜,易小星,小愛,鄧恩熙,李治良,劉西蒙,郝瀚,杜夢(mèng)涵,莊園十三
杰森·斯坦森,米基·洛克,雷·溫斯頓,薩姆·賴?yán)?50分,愛麗絲·巴雷特,蓋比·霍夫曼,斯蒂芬·比奇,埃曼紐爾·施萊琪,小邁克爾·貝瑞,斯塔拉·本福德,黛西·塔漢,卡洛斯·雷格-普拉扎,福雷斯特·格里芬,艾德·伯格托德,大衛(wèi)·札亞斯,查克·齊托,安東尼·奇澤姆,阿倫·戴維森,斯蒂芬·格維頓,道格·托雷斯,亞歷山大·斯卡斯加德,約瑟夫·德博納,本·戈扎那,羅納德·格特曼,約翰·貝德福德·勞埃德,帖木兒·巴布魯阿尼,拉爾斯·格哈德,邁克爾·珊農(nóng),唐·弗萊,克里斯·麥金尼,弗蘭克·賽格,約翰·菲奧里,韋恩·杜瓦劫車王
佐伊·馬奇爾,弗蘭克·蓋思堂彼得,Bosh,Chilla,Alassane Diong,Disiz La Peste,Hafid F. Benamar,科林·貝茨,米蘭妮·讓帕諾米,Zoé Diowo-Ceccaldi,Florence Fauquet,喬納森·德繆杰,阿利克斯·貝納澤什,帕斯卡爾·艾爾索,Eva Windstein,Agnès Godey,Erwan Szejnok,Azad Boutella,Wendy Grenier,Noémie Desbordes空心大少爺
陳勛奇,葉倩文,午馬取款機(jī)殺人夜
愛麗絲·伊芙,喬?！づ蹇?布萊恩·格拉格提,阿隆·休斯,奧馬爾·可汗,威爾·沃伊托維希,格倫·湯普森導(dǎo)演精選
異塵余生：尸鬼圣誕節(jié)
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好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
再會(huì)亡靈
在一個(gè)異常炎熱的日子里，三個(gè)不同的家庭發(fā)現(xiàn)了一個(gè)奇怪的秘密——他們剛剛死去的親人又回來(lái)了。他們不知道該怎么辦——這些不是毫無(wú)意識(shí)的僵尸，而是完全不同的東西。但究竟是什么呢？