生活

★ 7.0 播放：03萬 更新：2026-05-06

故事設(shè)定于1955年，敘述攝影師丹尼斯·史托克和好萊塢男星詹姆斯·迪恩在一場派對上首次碰面；狄恩想透過雜志的照片來為自己添增名氣，因此瞞著老板與丹尼斯一同到對方的家鄉(xiāng)印第安納州，途中丹尼斯除了拍下他多張美照外，還為兩人產(chǎn)生了堅韌的友情。

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劇情簡介

故事設(shè)定于1955年，敘述攝影師丹尼斯·史托克和好萊塢男星詹姆斯·迪恩在一場派對上首次碰面；狄恩想透過雜志的照片來為自己添增名氣，因此瞞著老板與丹尼斯一同到對方的家鄉(xiāng)印第安納州，途中丹尼斯除了拍下他多張美照外，還為兩人產(chǎn)生了堅韌的友情。

導(dǎo)演精選

禁閉

　　娜奧米-沃茨在影片中扮演一個名叫瑪麗的兒童心理學(xué)家，她遭遇了人生中最不幸的事件：丈夫被一場離奇車禍奪去了性命，兒子則因這次災(zāi)難變成了植物人。一次偶然的機(jī)會，瑪麗邂逅了一個叫湯姆的患兒，她將這個詭異的男孩帶回家撫養(yǎng)，卻因此招來了一連串不可思議的事件。

愛的藝術(shù)

　　故事發(fā)生于20世紀(jì)的德國，在一片茂密的森林里，隱藏著一所不為人知的神秘學(xué)校。在學(xué)校里，生活著一群年輕的女孩們，沒有人知道她們是從哪里來的，就連她們自己也不太清楚。所有人仿佛一生下來就已經(jīng)身在這閉塞的高墻之內(nèi)，完全不知道外面還有著更廣闊的的世界?！　『＿_(dá)拉（瑪麗·奈姬 Mary Nighy 飾）、埃倫娜（漢娜·泰勒-高登 Hannah Taylor-Gordon 飾）、薇拉（娜塔麗·特納 Natalia Tena 飾）和雷恩（安雅·拉希里 Anya Lahiri 飾）均是這所學(xué)校里的學(xué)生，當(dāng)她們開始質(zhì)疑起她們的生活和過去時，原本維系著學(xué)校內(nèi)事務(wù)正常運作的條條框框都開始失去功能，兩個女生的神秘失蹤更是為此增添了不安定的因素。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster