美狄亞
伊阿宋是國王埃宋的兒子,埃宋的弟弟珀利阿斯篡奪了王位,伊阿宋則被半人半馬的喀戎撫養(yǎng)大人。長大后的伊阿宋回到王國,向叔叔要回王位。而叔叔要求他完成一個(gè)任務(wù)奪取金羊毛,只要伊阿宋能做到,叔叔就把王位讓出來。伊阿宋率領(lǐng)著希臘眾英雄一路遠(yuǎn)去,來到了金羊毛所在地科爾喀斯。美狄亞(瑪麗亞 卡拉斯 Maria Callas 飾)是科爾喀斯城邦國王的女兒,她愛上了伊阿宋,于是盜取金羊毛獻(xiàn)給了伊阿宋。她背叛父親、殺死弟弟,不惜舍棄一切,也要跟伊阿宋遠(yuǎn)走高飛,到遙遠(yuǎn)的國度一同生活。 然而十年后,伊阿宋不再愛美狄亞,他為了和別國公主結(jié)婚而拋棄美狄亞和他們的兩個(gè)兒子。滿腔怒火、悲痛欲絕的美狄亞決定向伊阿宋復(fù)仇,她用巫術(shù)殺死了國王父女,還把自己兩個(gè)兒子親手殺死
播放通道
詳細(xì)簡介
熱門影視 大家都在看
致命圍困
米莎·巴頓,黛博拉·卡拉·安格,卡梅隆·布萊特美國小說
杰弗里·懷特,翠西·艾利斯·羅斯,約翰·奧提茲,伊薩·雷,斯特林·K·布朗,埃里卡·亞歷山大,萊斯利·格塞斯,亞當(dāng)·布羅迪,凱斯·大衛(wèi),邁拉·盧克利希亞·泰勒,雷蒙德·安東尼·托馬斯,奧基里特·奧諾多瓦,米麗婭姆·肖爾,邁克爾·西里爾·克賴頓,派特里克·費(fèi)斯克勒,尼爾·勒納,J·C·麥肯澤,詹·哈里斯,貝茨·懷爾德,邁克爾·吉布林探魔導(dǎo)師2之王者聯(lián)盟
洪冰瑤,李鶴楠,于洛熙,葛天,王炳喬,劉惠,陳招,阿肯,周劍飛,管貞喧,美伊,安龍,Milano,毛秀婷,毛秀玲,齊冰,馬馳,王啟蘅,金韜,趙寅辰,宋曌晗,侯雪艷,殷曉維,何然,祁建國,張?zhí)煊?肖磊,萌寶寶,侯耀華,騰奎興,郭憶然,趙英龍,鐘小丹,杜邱,馬滿,王虹,黃靜,盧曉倩,李雪,王子彤,劉芯嘉,蔡姿利,張汐,陳志穎,陳婉儀,靈藥,殷若曦,雪千琪,魏鵬,楊錚,慕巖,史蒂文·達(dá)茲,侯晶皓,牛中華,常峰輝,王朋朋,潘靖康,柏樹森,潘臣,汪齊,葛亮,張雪峰突襲2026
楊杏,宮宏佳開心三響炮
曾志偉,陳百祥,陳友,古嘉露母親的皮下
安吉莉·芭雅妮,Beauty Gonzalez,賈絲敏·柯提斯-史密斯同類推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
不被愛也沒關(guān)系
南沙良,馬場富美加,本田望結(jié),基俊介,河井青葉,伊島空,池津祥子本片是一部以大學(xué)生宮田陽彩(南沙良 飾)為主角的“青春逃亡故事”。陽彩一邊上學(xué),一邊從早到晚忙于打工和家務(wù)。雖然母親并未對她施加暴力,但她一直被母親口中的“愛”束縛著,在這種溫柔卻令人窒息的絕望和對人生的失落感中度日。她定期給母親送錢,照顧她,卻始終感受不到真正的自由和幸福。某天,陽彩在打工的地方邂逅了同班同學(xué)江永雅(馬場富美加 飾)。這次相遇,悄然改變了陽彩的人生軌跡。
藍(lán)月亮2025
伊?!せ艨?瑪格麗特·庫里,鮑比·坎納瓦爾,安德魯·斯科特,西蒙·德蘭尼,約翰·多蘭,帕特里克·肯尼迪,喬納·利斯,伊雷恩·奧德懷爾,艾斯林·奧馬拉,基利安·沙利文,丹尼爾·米克·瑞恩,伊恩·迪龍勞倫茲曾是百老匯作詞家第一把交椅,卻在與理查德拆伙后事業(yè)跌落低谷。前搭檔新作的首演之夜,他故作大方獻(xiàn)上祝福,新仇舊恨交織下,終究不歡而散;他轉(zhuǎn)向忘年好友伊麗莎白尋找慰藉,又不禁懷疑友達(dá)以上的關(guān)系是否只是自作多情。偌大派對就像如今的百老匯,早已沒他的容身之處。過了今晚,美國音樂劇的黃金年代就要展開,他的盛世卻再也回不來,當(dāng)最后一曲〈藍(lán)月〉響起,即便成了終曲,也要忘情歌頌。
夢之安魂曲
艾倫·伯斯汀,杰瑞德·萊托,詹妮弗·康納利,馬龍·韋恩斯,克里斯托弗·麥克唐納,露易絲·拉塞爾,瑪西婭·讓·庫爾茨,珍妮特·薩諾,蘇珊妮·謝潑德,夏洛特·阿羅諾夫斯基,馬克·馬戈利斯,邁克爾·卡切克,杰克·奧康耐,斯科特·富蘭克林,亞伯拉罕·阿羅諾夫斯基,歐嘉·梅雷迪斯,本·申克曼,凱斯·大衛(wèi),迪倫·貝克,肖恩·奧哈根,比爾·布爾,吉米·雷·威克斯,斯坦利·B·赫爾曼哈瑞(杰瑞德·萊托 Jared Leto 飾)和瑪麗安(詹妮弗·康納利 Jennifer Connelly 飾)彼此相愛,夢想著開個(gè)服裝店,夢想著有個(gè)美好的明天。然而他們都離不開毒品,并想著以銷毒賺得第一桶金。哈瑞的母親是個(gè)徹底的電視迷,最大的夢想是上電視,為此不顧年邁吞食減肥藥。由于藥品里的毒品成分,她漸漸上了癮。哈瑞的朋友狄龍(馬龍·韋恩斯 Marlon Wayans 飾)同樣是個(gè)癮君子,為了掙大錢加入了黑社會(huì)。為了夢想,他們努力著,卻一步步深陷毒品難以自拔。 哈瑞的胳膊因注射毒品感染而被割去;瑪麗安為了毒品出賣肉體和自尊;哈瑞的母親最終住進(jìn)了精神病院受盡折磨;狄龍鋃鐺入獄。當(dāng)視線變得模糊,夢在遙遠(yuǎn)處呼喚,迷失的人該以怎樣的姿態(tài)安撫自己的靈魂。
東北戀哥3:冬天里的一把火
包貝爾,張夢露,喬杉,潘斌龍,韓彥博,韓云云,張呈90年代的哈城,剛刑滿釋放的徐鐵(包貝爾 飾)偶遇裝啞的舞女百靈(張夢露 飾),兩人也在幾次偶遇和深夜相伴中漸生情愫。直到除夕夜的溫暖,讓他們相互靠近,卻又因現(xiàn)實(shí)隔閡,家人誤解而屢屢拉扯。百靈為父還債的秘密賬本,讓徐鐵讀懂了她的苦衷,雷力的迫害更是將兩人推向絕境,徐鐵以命相搏救出被囚的百靈,終贏來家人祝福。這對孤獨(dú)靈魂,在世俗重壓下,以真愛焐熱了彼此的人生。