劇情簡(jiǎn)介
別名：馬夫的孩子、The caravan of children，2016年度最新韓國(guó)限制級(jí)電影
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死命必達(dá)
馬里奧·毛瑞爾,莎露彩·查金哈,Phuwanet Seechomphu,Marut Chumchonbun納特（馬里奧·毛瑞爾 飾）是個(gè)擁有靈異體質(zhì)的外送員，他的工作因此變得與眾不同，他和兩位外送員好友經(jīng)常接到奇怪的訂單，在深夜將詭異的物品送到毛骨悚然的地方。這種賺錢方式雖然不尋常，但大多數(shù)時(shí)候他和外送伙伴們通常能對(duì)這些恐怖經(jīng)歷一笑置之。
敲敲門(mén)
安娜·德·阿瑪斯,Lorenza Izzo,亞倫·伯恩斯小有名氣的建筑師埃文·韋伯（基努·里維斯 Keanu Reeves 飾）事業(yè)有成，生活美滿。他住在洛杉磯一套親手設(shè)計(jì)的別墅中，妻子凱倫（伊格納西·阿爾曼德 Ignacia Allamand 飾）美艷動(dòng)人，一雙兒女杰克（Dan Baily 飾）和莉莎（Megan Baily 飾）乖巧可愛(ài)。某個(gè)假日，凱倫驅(qū)車帶著孩子們外出度假，留下埃文一人在家中工作。瓢潑大雨之夜，艾文突然聽(tīng)到了敲門(mén)聲。來(lái)者是被淋成落湯雞的女孩貝爾（安娜·德·阿瑪斯 Ana de Armas 飾）和吉妮絲（洛倫扎·伊佐 Lorenza Izzo 飾），他們迷失方向，請(qǐng)求埃文提供幫助。兩個(gè)女孩就像善解人意又誘惑媚人的小妖精，讓埃文多少有些把持不住?！ ∩诸^上一把刀，世間哪有從天而降的美食和便宜……
血灑胭脂馬
羅伯特·蒙哥馬利,旺達(dá)·亨德里克斯在邊境城市圣帕布羅，為一年一度的“墨西哥嘉年華”做準(zhǔn)備，加金到來(lái)了：強(qiáng)硬，神秘和簡(jiǎn)潔。他的任務(wù)是：找到同樣神秘的弗蘭克雨果，顯然是為了報(bào)復(fù)；還是敲詐？FBI探員雷茨也在追捕難以捉摸的雨果。鎮(zhèn)上的每個(gè)人都是神秘的，尤其是皮拉，一個(gè)神秘的少年，跟隨加金四處，并預(yù)感到他的死亡。還包括一個(gè)經(jīng)典的女性法塔萊和一個(gè)古老的旋轉(zhuǎn)木馬與一個(gè)粉紅色的馬…
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
臨冬
瓊·拉斯皮尤爾an experimental work by the Negu Collective, all of them former students of the ESCAC in Barcelona.
牙狼大河
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