氣味相投
在巴黎，滑冰的孩子同劇組天天見面在圓頂 - 背后的現代藝術博物館，埃菲爾鐵塔對面 - 滑板，偷懶并獲得投擲石塊，因為他們忽視了智能人群的藝術愛好者。他們是分不開的，受復雜的家庭關系。無聊，容易金錢的誘惑和互聯網所有的匿名都在撕裂他們的世界分開的作用。 ;我一直想拍一部關于法國青年，因為我去了戛納電影節(jié)，在1995年我第一次filmKids我遇到了一些法國少年和我邀請他們孩子的首映式。最后我掛出與他們和拍攝他們，而在戛納和了解青少年文化在法國甚至跑到自己的家園，并會見了他們的父母和有晚餐與他們，我知道那么我可以拍一部電影在法國關于青春，而我很感興趣。;[拉里 ;克拉克]
即刻觀影
劇情賞析
編輯推薦
第六感1999
布魯斯·威利斯,海利·喬·奧斯蒙,托妮·科萊特,奧莉維亞·威廉姆斯,唐尼·沃爾伯格,特拉沃·摩根,彼得·安東尼·唐伯蒂斯,格倫·菲茨杰拉德,米莎·巴頓,Lisa Summerour,法爾德斯·巴姆,杰弗里·澤布尼斯麥克（布魯斯·威利斯 飾）是著名兒童心理學家，卻也有始終未能治愈的患者，甚至因此遭到槍擊，這名少年隨后也飲槍自斃。這給麥克帶來很大心理陰影，一年后他找到另一個癥狀很像這名患者的男孩柯爾（海利·喬·奧斯蒙 飾），并耐心的做起了他的醫(yī)生?？聽柌⒉蝗菀捉咏?，但麥克還是慢慢贏得 了他的信任，得知了柯爾的秘密。原來柯爾有著靈異的第六感，可以看到鬼魂。雖然這令人感到難以置信，但麥克在證實了事情的真相后還是幫助柯爾接受了這個事實?？墒蔷驮趩栴}即將得到解決的時候，麥克卻在柯爾的引導下，發(fā)現了一個更令人震驚的秘密……
林中女孩
Selah Rose,Doug Wilder,Maggie WilderWidowed farmer Malcolm Gardner lives a quiet life near a secluded forest. When a mysterious ten-year-old girl emerges from the trees, he uncovers a hidden world lurking just beyond his view.
不可饒恕2021
桑德拉·布洛克,喬·博恩瑟,文森特·多諾費奧,維奧拉·戴維斯,理查德·托馬斯,艾斯琳·弗蘭喬茜,W·厄爾·布朗,杰西卡·麥麗奧德,湯姆·蓋里,琳達·伊蒙,羅布·摩根,艾倫·坡爾,帕蒂·基姆,艾瑪·尼爾森,托比·哈格雷夫,威爾·普倫,威廉·貝勒,西蒙·錢,Tom MacNeill露絲·斯雷特（布洛克飾）因暴力犯罪被判入獄，出獄后的她重新踏入社會，但自己的過去卻不被原諒。面對來自她曾經稱之為“家”的地方的無情評判，她獲得救贖的唯一希望，就是找到當初被自己無奈丟下而疏遠了的妹妹。
古劍奇譚之琴心劍魄
白澍,梁婧嫻,姜震昊,黃羿,王景灝仙人長琴犯錯被罰下天界，命魂被鑄成兇劍焚寂，心魄托生成人為歐陽少恭。焚寂被注入韓云溪體內。少恭誤入歧途危害百姓，云溪維護天下與少恭同歸于盡，云溪戀人風晴雪帶著他的魂魄踏上了尋找復活之法的漫漫長路……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鋼鐵飛龍之再見奧特曼
侯勇,大張偉,金晨,曲哲明,向佐,羅云熙,郝劭文,汪鐸,屈菁菁保護地球、維護和平，奧特曼對于地球人來說曾經是神一樣的存在，但是近幾十年，他卻消失不見行蹤成謎……隨之取替他的是鋼鐵飛龍精銳小分隊——隸屬于GSB地球安全保衛(wèi)組織。而GSB近期不斷收到地球能源異常報告，全球各地紛紛出現巨大災難。GSB組織派出鋼鐵飛龍，查明能源異常原因，卻意外發(fā)現事件與奧特曼有關系……新舊兩代地球守護者的意外相見，卻成為你死我活的敵對雙方。到底，這是一場意外還是一場陰謀，是誰看到了最后的事實真相？