影片推薦
搶錢大作戰(zhàn)
吉奧瓦尼·瑞比西,范·迪塞爾,尼婭·朗,尼基·凱特,本·阿弗萊克,湯姆·艾弗瑞特·斯科特黑暗之家
Arkadiusz Jakubik,Marian Dziedziel,Kinga Preis,Bartlomiej Topa,Katarzyna Cynke,Robert Wabich,Robert Wieckiewicz,Krzysztof Czeczot,Eryk Lubos,Lech Dyblik,Marcin Juchniewicz,Bartosz3e Zukowski,Grzegorz Wojdon,Slawomir Orzechowski,Anna Grzeszczak惡人的道路
維尼·瓊斯,克里斯蒂安·史萊特,Emily Tennant擒兇記
詹姆斯·斯圖爾特,多麗絲·黛,布倫達(dá)·德·班澤,伯納德·邁爾斯,拉爾夫·杜魯門,丹尼爾·蓋林,阿蘭·莫布雷,希拉里·布魯克,克里斯托弗·奧爾森,雷吉·納爾德,理查德·沃迪斯,諾埃爾·威爾曼,伊夫·布雷維爾,卡羅琳·瓊斯,伯納德·荷曼,帕特里克·艾亨,弗蘭克·艾伯森,弗蘭克·貝克,奧利弗·克羅斯,Mogens Wieth,Alix Talton,Frank Atkinson,沃爾特·培根,Betty Bascomb,Eumenio Blanco,Lovyss Bradley,克利福德·巴克頓,Albert開棺2025
陳可如,光俊獨(dú)自赴死
凱瑞-安·莫斯,道格拉斯·史密斯,弗蘭克·格里羅同類精選
百米。
松坂桃李,染谷將太,笠間淳,高橋李依,田中有紀(jì),種崎敦美,悠木碧,內(nèi)田雄馬,內(nèi)山昂輝,津田健次郎,榎木淳彌,石谷春貴,石橋陽彩,杉田智和羅伯特玩偶的復(fù)仇
Lee Bane,Harriet Rees,Judith Haley電子云層下
梅拉布·尼尼澤,丘爾潘·哈馬托娃,拉米爾·薩爾霍烏德諾夫,卡里姆·帕卡什科夫,阿納斯塔西婭·梅利尼科娃,彼得·戈薩沃斯基,路易斯·弗蘭克,維克托·博科夫,維多利亞··科如托科娃怨泊
何超儀,高橋和也,白川和子,周俊偉好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli葬送
蔻碧·米納菲,尼爾·桑迪蘭茲,凱特·伯頓,皮特·普勞澤克,沃恩·阿姆斯特朗,切爾西·阿爾登,Alaina Pollack,Riley Rose Critchlow,洛拉·凱莉,Mia Ellis影視排行
盛夏假期遇見愛
艾米麗·巴德,湯姆·布萊斯,莎拉·凱瑟琳·胡克 ,盧錫安·拉維斯科特,邁爾斯·赫爾澤,賈米拉·賈米爾,湯米·杜,盧卡斯·蓋奇,愛麗絲·李,莫莉·香儂,阿蘭·盧克,斯賓瑟·內(nèi)維爾,伊恩·波特,馬德琳·阿庫阿,約翰·賈巴雷,貝瑟妮·安妮·林德,邁克爾·A·紐科默,勞拉·弗蘭納里,萊頓·威廉姆斯,埃米·勒波比(艾米麗·巴德 Emily Bader 飾)自由奔放,亞歷克斯(湯姆·布萊斯 Tom Blyth 飾)循規(guī)蹈矩,這對(duì)好友看似格格不入,前后相識(shí)已有十年之久。盡管分隔兩地,每年暑假仍會(huì)一起度過。旁人都看得出來他們的友情不一般,而當(dāng)兩人終于開始思索彼此或許更適合成為情人時(shí),愛情與友情之間那條微妙的界線也逐漸受到考驗(yàn)。他們真有可能是天作之合嗎? 影片根據(jù)艾米莉·亨利的同名暢銷書改編。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
怪談晚餐
樸昭怡,劉多仁,尹賢旻,張光,李周英,金周靈,高恩敏,李素英,吳承姬,張睿恩,張丞延,金太竣,潘素英,申銀秀,金浩貞,金東英,申文成,金太勛,趙在允,崔秀林,樸真雅這部電影將六個(gè)故事組合成一個(gè)綜合系列,描繪了由于人類錯(cuò)誤的欲望而發(fā)生的奇異事件。
穿越愛情線
葉灝基,關(guān)嘉敏,許俊豪,陳康琪寵愛女友的男主角,在好友幫忙下成功求婚。男主角當(dāng)晚高興入眠。至第二天醒來,發(fā)現(xiàn)自己在一個(gè)陌生房間,身邊多了一個(gè)陌生女子,她告知是自己的老婆,驚訝之時(shí)才發(fā)現(xiàn)自己來到三年之后,離奇荒誕的事接踵而來,究竟為何會(huì)這樣?這三年又發(fā)生了什么事?本身的女友又去了哪里呢?