肉香

6.5 播放:49萬(wàn) 2026-05-02

風(fēng)流為樂(lè)的智商極高的"強(qiáng)克",閱少女許多,卻一直逍遙法外.漂亮的若蘭和雪雯情同姐妹,不幸被"自信高傲"的強(qiáng)克所垂涎,并被強(qiáng)克慘無(wú)人道的殺死,警察尋不到任何證據(jù),若蘭決定以自己的美貌去抓獲這個(gè)混蛋.   

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月球叛軍2:烙印之人

索菲亞·波多拉,查理·漢納姆,加利·艾爾維斯,安東尼·霍普金斯,杰曼·翰蘇,裴斗娜,吉娜·馬隆,寇瑞·斯托爾,艾德·斯克林,米希爾·赫伊斯曼,斯圖爾特·馬丁,阿方索·埃雷拉,雷·費(fèi)舍爾,弗拉·菲,克利歐佩特拉·科爾曼,斯塔茲·奈爾,里安·里斯,湯姆·沃斯

  延續(xù)第一部的史詩(shī)故事,柯拉(索菲亞·波多拉 Sofia Boutella 飾)與幸存的戰(zhàn)士準(zhǔn)備好豁出一切,與勇敢的碧草星居民并肩作戰(zhàn),即使村落不復(fù)往日和平,仍是對(duì)抗母星失敗的人們尋得的新家園,這一切,就靠他們來(lái)守護(hù)。最終大戰(zhàn)前夕,這群戰(zhàn)士必須面對(duì)各自的過(guò)往,也揭露他們究竟為何而戰(zhàn)。當(dāng)叛軍勢(shì)力星火燎原,王國(guó)大軍傾巢而出準(zhǔn)備平息動(dòng)亂,戰(zhàn)友情誼益發(fā)堅(jiān)定,英雄嶄露頭角,不朽傳奇也于焉誕生。

四人新世界

董驃,呂方,黃韻詩(shī),吳雪雯,秦沛,吳啟華,邵國(guó)華

  飛叔移民到加拿大與兒子哈哈一起生活。在飛機(jī)上認(rèn)識(shí)了一位來(lái)自大陸的黃艷秋,并有意撮合艷秋和哈哈,飛叔與艷秋的姨媽是一對(duì)歡喜冤家,艷秋和一個(gè)富家花花公子一起,哈哈很沮喪,飛叔鼓勵(lì)兒子向艷秋表白。哈哈買(mǎi)下一塊地,想轉(zhuǎn)頭賺錢(qián),但買(mǎi)家臨時(shí)改變主意,令哈哈欠下一筆錢(qián),飛叔、姨媽、哈哈、艷秋開(kāi)始了四人新世界……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

隱市英雄

彭禺厶,王莎,連奕名,來(lái)喜,于莉紅,張家豪,馬詩(shī)紅,翟星月,崔顥嚴(yán)

喜劇/動(dòng)作   出品公司:愛(ài)奇藝   制作公司:愛(ài)奇藝、天藝星杰影視   出品人:龔宇   總監(jiān)制:王曉輝   總制片人:楊海濤   行政監(jiān)制:王兆楠   監(jiān)制:張家豪   導(dǎo)演:崔俊杰   制片人:楊洋、李洋、於夢(mèng)迪、張瀟子、王茜   執(zhí)行制片人:谷雷

噪聲

李先彬,金玟錫,全益玲,劉慶秀

  有聽(tīng)力障礙的珠英(李先彬 飾),與妹妹珠憘(韓秀娥 飾)終于買(mǎi)下夢(mèng)寐以求的新房,卻沒(méi)想到噩夢(mèng)才正要開(kāi)始?! ∧程炱?,珠憘開(kāi)始被來(lái)自公寓某處的神秘噪音折磨得身心俱疲。那讓人不耐的樓層噪音,不僅讓她無(wú)法安睡,更像是潛藏某種黑暗秘密的警告。正當(dāng)珠英離家工作時(shí),珠憘突然失蹤,讓驚慌失措的珠英立刻趕回家,并與珠憘的男友基勛(金珉錫 飾)聯(lián)手追查真相。同時(shí),住在樓下的神秘男子(柳炅秀 飾)也長(zhǎng)期受噪音困擾,認(rèn)定一切都源于樓上的這對(duì)姊妹,讓他情緒逐漸崩潰,揚(yáng)言要對(duì)她們痛下殺手……  真相究竟藏在誰(shuí)的耳中?噪音背后,又是誰(shuí)的瘋狂正在近逼?

臨租家庭

布蘭登·費(fèi)舍,平岳大,山本真理,香農(nóng)·戈?duì)柭?柄本明,尼希,古川雁,金隆夫,小松裕司,長(zhǎng)田涼子,保羅·安德里亞·迪·皮耶特羅,木村文哉,龜田梨紗,加奈·凱蒂,尾關(guān)伸嗣,筱崎志乃,楚南勇真

  本片講述了一位在東京落魄的美國(guó)演員的故事。他受雇于一家日本家庭租賃公司,充當(dāng)門(mén)面上的“美籍演員”,由此通過(guò)扮演他人生活中的各種角色,踏上了一段意想不到的自我發(fā)現(xiàn)之旅。