癡人之愛

盜墓大案

這是一部講述公安干警李方中、鐵鶴等舍生忘死與盜墓團(tuán)伙頭目“老祖”斗智斗勇，最終將其擒獲并把所有盜墓團(tuán)伙一網(wǎng)打盡，追回并保護(hù)了國寶、文物的影片。

教皇行動

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

落難女子

　　影片被描述為“對西部題材充滿愛意的重塑”。帕丁森飾演的Samuel是一位富有的拓荒者，他冒險穿越邊境，為了與一生摯愛Penelope（米婭·華?？莆炙箍棧┏捎H。Samuel與一個酒鬼和一匹叫作“奶油糖果”的小型馬同行，然而簡單的旅程卻變得危險重重。

格斗家·父愛無聲

　　小說作家阿真和她的拳王父親，從小就有很深的隔閡，在父親離世后，阿真用自己的方式與父親和解，并且在小說世界中完成了文與武的轉(zhuǎn)換，經(jīng)歷了善與惡的抉擇，成功蛻變，為父正名，成為了真正的格斗家！

吸血獵手

　　A rogue police detective in search of his parents killer is murdered and reborn the ultimate killer.