影片推薦
同類精選
中華戰(zhàn)士
楊紫瓊,吳耀漢,爾冬升,盧冠廷,劉芊蒂,松井哲也,陳敬,張耀星,趙志凌,馮克安,黃正利,谷峰,劉晃世,羅莽,譚偉民瑞奇·熱維斯：人生苦短
瑞奇·熱維斯死亡陰影
邁克爾·比恩,亞歷山德拉·達(dá)達(dá)里奧,布雷特·里克比,諾蘭·杰拉德·馮克,斯賓塞·李斯特,約翰·薩維奇,佩頓·李斯特,凱瑟琳·邁瑟爾,瓦倫蒂娜·德·安吉麗斯殺手算命師
莎拉·墨菲,喬納森·斯托達(dá)德,Caina Summer Field,娜塔莉·丹尼爾斯,杰西卡·凱撒熱血敢死隊
隋存毅,李恰,李博,呂九億,呂晨,王錦,劉小賓,楊明,馮奕鳴圍困
尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫洛娃,列夫·佐洛圖欣,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈爾巴托夫,謝爾蓋·哈欽科,丹尼爾·薩加爾,Vasiliy Minin,Valentin Abramov,Anatoliy Verbitskiy,米哈伊爾·烏里揚(yáng)諾夫,Roman Gromadsky,Konstantin Malakhov,Stanislav Fesyunov,Yuri Maltsev,Aleksandr Afanasev,Vladimiras Lido,Yuri Ku影視排行
你好弗里達(dá)
奧利維婭·魯茲,Emma Rodriguez,Rebeca Gonzales,Léo C?té,Sophie Faucher,曼努爾·泰德羅斯,Anne Girard,Joey Bélanger影片生動展現(xiàn)了墨西哥傳奇女畫家弗里達(dá)·卡羅的童年生活。好奇心旺盛的弗里達(dá)整天和妹妹玩耍，和鄰居家的狗做朋友，爬樹，在小鎮(zhèn)上奔跑，當(dāng)她擁有人生中的第一本筆記本，就迫不及待的上面涂滿色彩斑斕的圖畫和想法。小兒麻痹癥讓她臥床不起，但小弗里達(dá)毫不退縮，一旦康復(fù)，她就會重返街頭，展現(xiàn)她旺盛的生命力。
可怖之事
蘇菲·特納,基特·哈靈頓,馬西婭·蓋伊·哈登,勞倫斯·歐弗林,喬納森·霍華德,Catherine McDonough,Tigerlily Langford,Zachary Cohen,Jürgen Koenen,Huxley Sheppard故事發(fā)生在中世紀(jì)的英格蘭，安妮和她專橫跋扈的婆婆莫溫在社會邊緣掙扎求生。然而，當(dāng)安妮過去的一位故人從戰(zhàn)場歸來，一位神秘騎士的出現(xiàn)似乎預(yù)示著詛咒的降臨，并威脅著她們所有人的命運(yùn)。
邁克·艾普斯：異想天開
邁克·艾普斯Comedian Mike Epps has inked a deal with Netflix for his new special, Delusional, which will premiere on the streamer on January 27.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.