竊欲無(wú)罪
Sotto falso nome 丹尼爾以筆名創(chuàng)作了許多熱銷作品，他的私日子徹底藏匿于文壇名利雙收的光環(huán)之下，縱使外界對(duì)他的實(shí)在身分感到獵奇，20余年來(lái)，他的兩層人生就像兩條調(diào)和安穩(wěn)的平行線，隱私不受打擾，過(guò)著殷實(shí)卻普通的日子。 這天，他與妻子相約意大利卡布里島，預(yù)備參與兒子的結(jié)婚典禮。秀麗的風(fēng)景引發(fā)滿腹文思，瑰麗風(fēng)光令人意亂情迷，丹尼爾搭乘渡輪，意外邂逅年青女子蜜拉，兩人度過(guò)一夜溫存。但是，這一段意外的越軌，卻成了他揮之不去的引誘。 回來(lái)日內(nèi)瓦的別墅，接二連三的黑函，以偷情的相片作為要脅，丹尼爾懷疑是蜜拉和其奧秘的女人友人一起策劃的圈套，他該怎么處理？另一方面，一通奧秘爆料的電話，讓報(bào)社記者窮追不舍，逼得他有必要出頭舉行記者會(huì)，坦承他的實(shí)在身分，卻意外扯出多年前讓他一炮而紅的成名小說(shuō)，居然是瓢竊自一位自殺身亡的年青作家... 撲朔迷離的人際聯(lián)系之下，終究躲藏了多少不為人知的隱秘？年青作家、蜜拉與丹尼爾的外遇，與塵封已久的往事又有啥相關(guān)呢？ 劇中風(fēng)險(xiǎn)媚惑的年青奧秘女子，心里巴望愛慾的中年作家以及深愛著丈夫的高雅妻子，三位實(shí)力派藝人詮釋三角聯(lián)系的撲朔迷離及情慾糾葛，在本片鋪陳的懸疑性之外，更添戲曲張力。
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馬納夫·卡爾,薇迪亞·巴蘭,莎法莉·什提,羅希尼·翰塔伽蒂,Sofiya Khan,Vidhatri Bandi,Iqbal Khan,阿巴斯·達(dá)拉勒,Mangesh Desai,Gurpal Singh,朱奈德·汗,Vijay Nikam,Ghanshyam Lalsa,Surya Kasibhatla,Shrikant YadavA hit and run of an 18 year old girl becomes the hub of a wheel that sets into motion many a spoke - a journalist , a raging mother, a cop and a system all caught in an ethical dilemma. Questions raised only to realise that truth is rarely pure and never simple.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
正直的候選人2
羅美蘭,金武烈,尹敬浩,徐現(xiàn)宇,樸真珠,尹斗俊羅美蘭、金武烈、尹京浩將繼續(xù)合作出演《正直的候選人2》，續(xù)集依舊由張幼珍執(zhí)導(dǎo)。將講述羅美蘭挑戰(zhàn)道知事選-舉引發(fā)的故事。他們?nèi)伙椦莸慕巧c前作一樣。 計(jì)劃下半年開拍。
六號(hào)關(guān)口
凱特·波茨沃斯,托馬斯·克萊舒曼,盧錫安·拉維斯科特,馬丁·麥凱恩After serving two years on a military outpost in the middle of an ocean – four soldiers are waiting for a new crew to replace them. When the long-awaited boat finally appears, it’s empty with no relief on board. When trying to find out what happened to the boat and the missing crew, they realize they’ve lost all communications with home. Cut off from the rest of the world and no one coming to get them, Baines, Sullivan, Cassidy and Hendryx must fight with suspicions about each other and find a new way to get home. If home still exists.
寶島2025
妻夫木聰,廣瀨鈴,洼田正孝,永山瑛太,冢本晉也,中村蒼,瀧內(nèi)公美,榮莉彌,尚玄,瀧正則,木幡龍,奧野瑛太,村田秀亮,Derrick Dover在二戰(zhàn)后尚未歸還日本的沖繩島上，有一群人自可怕的「鐵暴風(fēng)」中幸存下來(lái)。他們像動(dòng)物般活在殘破的世界，眼前是垂死的島民和尸體。于是他們從美軍的倉(cāng)庫(kù)和基地?fù)寠Z物資，延續(xù)這座島上未完的戰(zhàn)爭(zhēng)，他們被叫做「戰(zhàn)果撈客」。直到那一夜，阿恩（永山瑛太 飾）在嘉手納基地的逃亡過(guò)程中神秘失蹤，一場(chǎng)曾將故鄉(xiāng)燒毀殆盡的鐵暴風(fēng)再度席卷這座島嶼而來(lái)。 「活下去，生還才是最大的戰(zhàn)果?！苟嗄曛螅瑣u上女孩接連慘遭殺害，一名菜鳥琉球警察（妻夫木聰 飾）奉令偵辦命案。追捕疑犯的過(guò)程中，在兇手車子里發(fā)現(xiàn)的人骨和一名神秘出現(xiàn)的男孩，讓他兒時(shí)身為戰(zhàn)果撈客的記憶與一道道未解謎團(tuán)又重回腦海。
致命錄像帶85
弗萊迪·羅德里格茲,詹姆斯·蘭索恩,喬丹·貝爾菲,吉吉·索爾·格雷羅,丹妮·迪特,Chelsey Grant,Alex Galick,Justen Jones,馬克·西普卡,Marcio Moreno,Anna Sundberg,Andrew Ghai,Chivonne Michelle,Tyler Noble,Gabriela Roel,弗洛倫西亞·里奧斯,Ari Gallegos,Felipe de Lara,Forrest Hartl,艾薇·拜爾在一部電視紀(jì)錄片中，五個(gè)令人不寒而栗的故事浮出水面:科學(xué)家們觀察到一個(gè)不尋常的男孩盯著電視看，孩子們開始了一場(chǎng)湖上劃水冒險(xiǎn)，一個(gè)電視攝制組在自然災(zāi)害中掙扎求生，早期的VR喚醒了一些可怕的東西，一個(gè)致命的夢(mèng)被記錄在錄像帶上?！?0世紀(jì)80年代的邪惡秘密以一種你從未見過(guò)的方 式變得栩栩如生。