瘋狂欲望
法國情欲電影。原著小說《茹娃》(Joy)是法國作家茹娃 洛雷(Joy Laurey)于1981年發(fā)表的一部半自傳體情愛小說。茹娃 ;洛雷是作者的筆名。 喬伊Joy(克勞迪婭 ;尤迪飾)是個有一半美國血統(tǒng)的法國模特。小時(shí)候因?yàn)槟慷酶赣H偷情而從此離家。在巴黎,盡管有了男朋友,但她理想中的男性是個象她的父親一樣剛毅而不失溫柔的男子。當(dāng)遇上中年的建筑師馬克Marc(熱拉爾 安托萬 于阿爾飾)后,喬伊認(rèn)為她找到最完美的男人,因?yàn)樗麕Ыo了她之前完全無法比擬的激情。她春心蕩漾,想多多見識并體會一般女人毫無感受的大膽;權(quán)利 。喬伊決定離開巴黎去紐約拍片,開始她周游世界的情欲冒險(xiǎn)。
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劇情簡介
法國情欲電影。原著小說《茹娃》(Joy)是法國作家茹娃 洛雷(Joy Laurey)于1981年發(fā)表的一部半自傳體情愛小說。茹娃 ;洛雷是作者的筆名。 喬伊Joy(克勞迪婭 ;尤迪飾)是個有一半美國血統(tǒng)的法國模特。小時(shí)候因?yàn)槟慷酶赣H偷情而從此離家。在巴黎,盡管有了男朋友,但她理想中的男性是個象她的父親一樣剛毅而不失溫柔的男子。當(dāng)遇上中年的建筑師馬克Marc(熱拉爾 安托萬 于阿爾飾)后,喬伊認(rèn)為她找到最完美的男人,因?yàn)樗麕Ыo了她之前完全無法比擬的激情。她春心蕩漾,想多多見識并體會一般女人毫無感受的大膽;權(quán)利 。喬伊決定離開巴黎去紐約拍片,開始她周游世界的情欲冒險(xiǎn)。
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何塞·馬利亞·亞茲皮克,貝塔·巴斯克斯,伊里婭·德爾·里奧,Francisco Ortiz,Jesús Lloveras,Sergio Crespo,Ali Boulabiar,Mouad Ghazouan,Elena Seijo,Marta Poveda,Ana Garcia Molero,Paloma Otero,Beka Lemonjava,Alberto Ladrón de Guevara,Yuri Mykhaylychenko,Hicham Malayo,Arántzazu Ruiz,María第六日
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安東·迪夫倫,哈澤爾·考特,克里斯托弗·李圍困3
尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫洛娃,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈?duì)柊屯蟹?謝爾蓋·哈欽科,Roman Gromadsky,Aleksei Presnetsov,米哈伊爾·烏里揚(yáng)諾夫,丹尼爾·薩加爾,Stanislav Fesyunov,Vladimir Voronov,列夫·佐洛圖欣,Igor Komarov,Gerbert Dmitriev,German Khovanov,Oleg Khromenkov,Rudolf Chelishchev,Vladimir安·李的遺囑
阿曼達(dá)·塞弗里德,托馬辛·麥肯齊,劉易斯·普爾曼,克里斯托弗·阿波特,蒂姆·布雷克·尼爾森,馬修·比爾德,斯塔西·馬汀,維奧拉·佩雷特約翰,斯科特·漢迪,斯科特·亞歷山大·楊,杰米·博吉奧,米麗-蘿絲·克若斯莉,大衛(wèi)·卡勒導(dǎo)演精選
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
熱血敢死隊(duì)
1936年冬,抗聯(lián)戰(zhàn)士劉文澤等人于林海雪原伏擊日軍,欲奪回被竊國寶,卻發(fā)現(xiàn)是贗品。他們與渡邊一郎部周旋,多名戰(zhàn)友犧牲,后在情報(bào)員老吳、僧人觀空協(xié)助下找到地宮。最終眾人與日軍激戰(zhàn)殉國,而他們用生命守護(hù)的國寶,50年后在般若寺遺址重現(xiàn)。
憤怒的黑人女孩與她的怪物
It tells the story of teenage anti-hero, Vicaria, who is on a desperate quest to cure death.