青春學(xué)堂

講述了住在虛構(gòu)城市波古市的羅漢、他的哥哥喬漢和剛搬進(jìn)得克薩斯州一家水療中心的故事，該水療中心的老板是一位不可預(yù)知的鄰居。

　　故事發(fā)生在英格蘭北部的紐卡斯?fàn)?，因?yàn)樵庥隽舜钨J危機(jī)，瑞奇（克里斯·希欽 Kris Hitchen 飾）不僅丟掉了工作，還背負(fù)上了巨額的債務(wù)。為了維持生計(jì)，瑞奇貸款買了一輛小貨車，準(zhǔn)備靠送貨來(lái)開啟事業(yè)的第二春，哪知道他這一沒有經(jīng)過思考的舉動(dòng)給整個(gè)家庭都帶來(lái)了無(wú)法挽回的傷害 ?！　∪鹌娴钠拮影龋毂取す嵛榈?Debbie Honeywood 飾）是一名家政工，專門為殘疾人和老人服務(wù)，如今，她不得不依靠公交車往返于不同的雇主家中，這令她感到非常的疲憊。為了償還貨車的貸款，瑞奇不得不將更多的時(shí)間花費(fèi)在工作上，這令他們的大兒子塞布（瑞斯·斯通 Rhys Stone 飾）感到備受冷落。

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　一群十幾歲的少年慶祝一個(gè)本地連環(huán)殺人犯的忌日，突然發(fā)現(xiàn)他們自己與這個(gè)困擾的城市傳說的現(xiàn)實(shí)面對(duì)面。