現(xiàn)代白蛇艷潭

2.2 播放:14萬(wàn) 2026-05-05

白蛇白素貞(陳蓓琪)自被法海和尚(楊澤霖)收懾了壓在雷峰塔底已近千年,但終于都被白蛇逃走,來(lái)到這個(gè)現(xiàn)代的大都市找尋愛(ài)郎許仙(傅偉祈)和情如姊妹的丫環(huán)小青蛇小青(邱玉茹)。 nbsp;   法海和尚不甘被白蛇逃脫,也追蹤來(lái)到這個(gè)現(xiàn)代的都市,務(wù)求把白蛇捉回。 nbsp;   白素貞為逃避法海的追捕和施法迷惑,險(xiǎn)些搭上了性命,幾經(jīng)艱辛才找到了生活在現(xiàn)代都市而事業(yè)也有成就的小青和許仙相認(rèn),但二人經(jīng)過(guò)了千年來(lái)的不斷轉(zhuǎn)世輪回,以前的一切均已忘掉了,而現(xiàn)代許仙的女友寶寶(徐寶鳳)和小青男友皆認(rèn)為事有蹊蹺,便與小青姊妹(于芷蔚)找靈媒(邵音音)占卜計(jì)算白素貞的身份,果然一切屬實(shí),眾皆高興重逢。法海出現(xiàn)擄走了小青姊妹要脅白蛇跟他回去接受懲罰,幸靈媒仗義替眾人解危,更說(shuō)服了法海和尚移民香港,不必回去封建專制的舊社會(huì)去,讓情花結(jié)果,玉成這段一可歌可泣的隔世情。   

在線看

同款熱播

審判游戲

阿米達(dá)普·巴強(qiáng),埃朗·哈斯米,Krystle D'Souza,雷亞·查克雷伯蒂

  An 80-year-old man with a penchant for real life games in a story about rights and wrongs. It's a story about the decisions one makes in their lifetime and the fact that every decision has its repercussions, hearing and judgment.

捏造

綾野剛,柴崎幸,龜梨和也,木村文乃,大倉(cāng)孝二,迫田孝也,光石研,北村一輝,小林薰

  2003年,福岡市的一所市立小學(xué),發(fā)生了一起老師欺凌學(xué)生的惡性事件。一名男性教師以種族歧視為由,對(duì)“有美國(guó)人血統(tǒng)”的四年級(jí)學(xué)生處處找碴,施行惡毒的語(yǔ)言暴力和殘酷的體罰。該學(xué)生的家長(zhǎng)對(duì)教師提起民事訴訟,550名律師自發(fā)組成原告律師團(tuán)。福岡市教育委員會(huì)也對(duì)教師做出了停職處罰。行為如此惡劣的教師堪稱罕見(jiàn),經(jīng)《周刊文春》《朝日新聞》等主流媒體報(bào)導(dǎo),引起軒然大波,涉案教師被冠上“史上最惡劣的‘殺人教師’”的名號(hào);但欺凌事件真的發(fā)生了嗎?隨著調(diào)查的深入,事件發(fā)生了驚人的逆轉(zhuǎn)……  影片改編自記者福田真澄2007年出版的一本書,名為《捏造:福岡“殺人老師”的真相》。

羅伯特玩偶的復(fù)仇

Lee Bane,Harriet Rees,Judith Haley

  在納粹德國(guó),玩具制造商擁有一本神秘的書籍,賦予無(wú)生命的生命。在躲過(guò)希特勒命令取回書的黨衛(wèi)軍之后,這位玩具商登上了一列火車企圖逃離該國(guó)。認(rèn)為他很清楚,玩具制造商很快就發(fā)現(xiàn),一批高級(jí)納粹軍官也加入進(jìn)來(lái)。最終,他的秘密被揭露出來(lái),納粹關(guān)閉。但是,玩具制造商已經(jīng)使用這個(gè)神奇的東西來(lái)帶來(lái)一個(gè)名叫羅伯特的復(fù)古娃娃來(lái)生活 - 而羅伯特將毫無(wú)阻礙地保護(hù)他的主人。所以,當(dāng)玩具制造商和殺手娃娃拿起納粹時(shí),就開始了一場(chǎng)血腥的戰(zhàn)斗。這是對(duì)死亡的一場(chǎng)戰(zhàn)斗,只有勝利者才會(huì)在下一站下車。

神秘島

邁克爾·克雷格,瓊·格林伍德

  During the US Civil War, Union POWs escape in a balloon and end up stranded on a South Pacific island, inhabited by giant plants and animals. They must use their ingenuity to survive the dangers, and to devise a way to return home. Sequel to '20,000 Leagues Under the Sea' . Written by Stewart M. Clamen

四重唱

瑪吉·史密斯,湯姆·康特奈,比利·康諾利,保利娜·科林斯,邁克爾·剛本,謝里丹·史密斯,安德魯·薩克斯,格溫妮絲·瓊斯,特雷弗·皮科克,大衛(wèi)·萊爾,邁克爾·伯恩,羅尼·福克斯,帕特里夏·洛夫蘭德,伊琳·珀威爾,盧克·紐伯里

  故事發(fā)生在一間專門面向歌劇退休演員開放的養(yǎng)老院里,維爾福(比利·康諾利 Billy Connolly 飾)、雷吉(湯姆·康特奈 Tom Courtenay 飾)和茜茜(寶林·科林斯 Pauline Collins 飾)是那里的明星居民。每一年,這三個(gè)出色的演唱者都會(huì)通過(guò)他們的三重唱向社會(huì)募集資金,用以維持養(yǎng)老院的運(yùn)作。雖然養(yǎng)老院的規(guī)模不大,但每一個(gè)老人都能在那里找到快樂(lè)和安寧?! 『?jiǎn)(瑪吉·史密斯 Maggie Smith 飾)的出現(xiàn)打破了眾人寧?kù)o的生活,這個(gè)高傲又好斗的女人是歌劇界名聲大噪的歌唱家,同時(shí),她還是雷吉的前妻。受生活所迫,簡(jiǎn)不得已住進(jìn)了這間養(yǎng)老院,前夫雷吉的存在更是讓她心中憤憤不平。由于簡(jiǎn)的加入,三重唱變成了四重唱,但排練的效果并沒(méi)有因?yàn)橐粋€(gè)得力唱匠的加入而有所提高,麻煩和爭(zhēng)執(zhí)接踵而至。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.