嘴巴上的吻

★ 2.2 播放：16萬 更新：2026-04-25

美國大尺度艷情劇；關(guān)于艾倫大學(xué)生生活的特寫，艾倫是睡覺與她的前男友，而試圖忽略一個事實，即他要尋找的不僅僅是性。她的室友，帕特里克，是沒有幫助的事項，他詭秘和嫉妒行為。的小演員擔(dān)任了這家溫馨和幽默的電影特色與應(yīng)屆大學(xué)畢業(yè)生和紀(jì)錄片的方式向色情圖片和對話真正的面試中唯一的一員。 　　

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美國大尺度艷情??；關(guān)于艾倫大學(xué)生生活的特寫，艾倫是睡覺與她的前男友，而試圖忽略一個事實，即他要尋找的不僅僅是性。她的室友，帕特里克，是沒有幫助的事項，他詭秘和嫉妒行為。的小演員擔(dān)任了這家溫馨和幽默的電影特色與應(yīng)屆大學(xué)畢業(yè)生和紀(jì)錄片的方式向色情圖片和對話真正的面試中唯一的一員。 　　

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好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster